हिन्दी में मुक्तचंदा का क्या अर्थ होता है?
हिन्दीशब्दकोश में मुक्तचंदा की परिभाषा
मुक्तचंदा संज्ञा स्त्री० [ सं० मुक्तचन्दा]
चिंचा नामक साग । चंचु ।
हिन्दी किताबें जो «मुक्तचंदा» से संबंधित हैं
निम्नलिखित ग्रंथसूची चयनों में
मुक्तचंदा का उपयोग पता करें।
मुक्तचंदा aसे संबंधित किताबें और हिन्दी साहित्य में उसके उपयोग का संदर्भ प्रदान करने वाले उनके संक्षिप्त सार।.
1
Prasāda-Nirālā-Ajñeya: paraṃparā, vidroha aura ādhunikatā ...
paraṃparā, vidroha aura ādhunikatā ke bīca kavitā kā vikāsa athavā kavitā meṃ saṅgīta, mukta chanda aura gadya ke vinyāsa Ramswarup Chaturvedi. प्रसाद के 'प्रथम प्रभात' की तुलना मैंधिलीशरण गुप्त के प्रात: वर्णन ...
Ramswarup Chaturvedi, 1989
2
Indian Literature: Proceedings of a Seminar - Page 501
I want to know about the end-rhymes in modern Marathi poetry. Dr O. M. Anujan — I doubt very much if lines composed entirely of long and elongated syllables can be called mukta chanda. Dr M. H. Kkan — I was wondering, Dr Joshi, if we are ...
3
Transactions - Volume 16 - Page 501
I want to know about the end-rhymes in modern Marathi poetry. Dr O. M. Anujan — I doubt very much if iines composed entirely of long and elongated syllables can be called mukta chanda. Dr M. H. Kkan — I was wondering, Dr Joshi, if we are ...
Indian Institute of Advanced Study, 1972
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Translation Reconsidered: Culture, Genre and the “Colonial ...
However, in the 1960s Vinda Karandikar wrote what he called “mukta suneete” (lit. free sonnets). These poems varied between thirteen and fifteen lines, without any consistent prosody. It was a combination of the “mukta chanda” (free verse) ...
Chandrani Chatterjee, 2009
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I.A. Richards and Indian Theory of Rasa - Page 283
In certain forms of verse, as in free verse (mukta-chanda) rhythm is predominant. But in metrical composition, rhythm plays an important role. Laya and Chanda are helpful in the revelation and relish of Rasa. They lend musical effect to poetry.
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History of Indian Literature: 1911-1956, struggle for ... - Page 218
The term mukta chanda was used for the first time by Anil (A.R. Deshpande). There were other writers too, all of whom were looking for new metrical patterns. Rege called his compositions Sahaja Kavya, Vyankatesh Vakil described his poems ...
