CORSICA BUKU YANG BERKAIT DENGAN «PARHYPATE»
Ketahui penggunaan
parhypate dalam pilihan bibliografi berikut. Buku yang berkait dengan
parhypate dan ekstrak ringkas dari yang sama untuk menyediakan konteks penggunaannya dalam kesusasteraan Corsica.
1
Ancient Greece and Rome
In the enharmonic scale, the second note from the bottom (called parhypate ̄ or
“next to the topmost”) was one quarter step (that is, one-half of the half step that
serves as the smallest unit in modern Western scales) above the hypate ̄, and ...
Tetracorda vero, ut hypate hypaton ad hypate meson, et hypate meson ad mesen
. Mobiles vera sunt, que secundum singula genera permutantur hoc modo, ut
paranete, et lychanos diatonici, et chromatid, et enarmonii, trite vero, et parhypate
...
Johannes Ciconia, Oliver B. Ellsworth,
1993
3
Patrologiae Cursus Completus: Series Latina: Sive, ...
... list et aliud quod assertionem illorum improbaL hoc videlicet. quod cantus
plerumque non modo sub parhypate bypaton. sed etiam sub parypate meson
totum requirit. qua necessitate compellimnrxad superiores coufugere. ut in hac
com.
4
Harmonika Stoicheia (The Harmonics of Aristoxenus)
For the semitone Parhypate is employed for both diatonic divisions, and for the
Tonic Chromatic. Thus, of the four Parhypatae, one is peculiar to the Enharmonic
genus, while the Diatonic and Chromatic between them employ three.
Aristoxenus, Henry Stewart Macran, Aristoxenus von Tarent, Aristoxenus, Henry Stewart Macran
5
A General History Of The Science and Practice Of Music: In ...
HYP ATE " PARHYPATE * PARANETE ' NETE □ : — Those who speak of the
lyre in the manner above-mentioned, seem to imagine that its compass included
two diatesserons or fourths, which being conjoined, extended to a seventh, ...
6
The Cambridge History of Western Music Theory
Greater Perfect System (GPS) Lesser Perfect System (LPS) Proslambanomenos(
im,ap) [a] Hypate hypaton (im, bp) [b] Parhypate hypaton (mp) [c1] [or, if
enharmon ic, b*] Enharmonic lichanos hypaton (tp) [c'] Chromatic lichanos
hypaton (tp) ...
7
Greek Musical Writings: Volume 2, Harmonic and Acoustic Theory
Up to this division, both the notes move, but after this parhypate stays still, since it
has travelled through its whole range [topos],91 while lichanos moves through an
enharmonic diesis, and the interval between lichanos and hypate becomes ...
8
The Critical Nexus : Tone-System, Mode, and Notation in ...
He expands this by specifying that the lichanos hypaton (D) is linked with the
mese (a), the hypate meson (E) with the paramese (), the parhypate meson (F)
with the trite diezeugmenon (c), and the lichanos meson (G) with the paranete ...
Charles M. Atkinson Professor of Music Ohio State University,
2008
9
Aristoxenou Harmonika stoicheia: The Harmonics of Aristoxenus
72, 7 — 10. ort <T oix svdsxercii — ovöfiuTa] Die Richtigkeit des hier von
Aristoxenus angeführten Grundes wird ein Beispiel erläutern : im Chroma
toniäon mit der Stimmung e f Iis a sind die Intervalle zwischen Hypate und
Parhypate und ...
Aristoxenus, Henry Stewart Macran,
1868
10
Apollo's Lyre: Greek Music and Music Theory in Antiquity and ...
In fact, he states that they used only three notes; these may well be the mese,
parhypate, and hypate as described by Lysias.12 Soterichus then adds, however,
that while "the ancients" omitted certain notes from the melos "in their libation ...
Thomas J. Mathiesen,
1999