«KETIPUNG» এর সঙ্গে সম্পর্কিত মালে বই
নিম্নলিখিত গ্রন্থপঞ্জী নির্বাচনে
ketipung শব্দটির ব্যবহার খুঁজুন। মালে সাহিত্যে
ketipung শব্দের ব্যবহারের প্রসঙ্গ সম্পর্কিত বই এবং তার থেকে সংক্ষিপ্তসার।
1
Traditions of Gamelan Music in Java: Musical Pluralism and ...
Whereas the lively drumming in Solo and Yogya employs only the ciblon (middle sized drum), in Banyumas this drum is combined with the ketipung. Like the small kulanter drums in Sunda, the ketipung in Banyumas are usually placed ...
2
A Gamelan Manual: A Player's Guide to the Central ...
The ketipung is often placed on the player's lap to be played. It may be placed on the ground, but this means that the player's hand must move further between the heads of the kendhang ageng and ketipung. The other kendhang normallv ...
3
Focus: Gamelan Music of Indonesia - Halaman 86
The drummer plays the most basic drumming patterns on two kendhang: a very large one called kendhang gendhing, supplemented by a small one called ketipung. Together, this pair is known as kendhang kalih (“two drums”). The large drum ...
4
Peralatan hiburan dan kesenian tradisional daerah Jambi - Halaman 61
Jaʾfar, Siti Dloyana Kusumah, Ahmad Yunus, Ahmad Yunus (Drs.) PERALATAN KESENIAN TRADISIONAL A. MUSIK TRADISIONAL 1. Ketipung Buluh Ketipung buluh adalah salah satu jenis peralatan musik tradisional yang ada di daerah ...
Jaʾfar, Siti Dloyana Kusumah, Ahmad Yunus,
1987
5
Gamelan: The Traditional Sounds of Indonesia - Jilid 1 - Halaman 105
The drummer plays the most basic drumming patterns on two kendhang: a very large one called kendhang gendhing, supplemented by a small one called ketipung. Together, this pair is known as kendhang kalih (“two drums”). The large drum ...
However, as this group is not further specified, it is not clear whether the addition of the ketipung to it does or does not bring the group of kendhang to three. In view of my experience with Samboyo Putro, which sporadically included this small ...
Clara van Groenendael,
2008
7
Worlds of Music: An Introduction to the Music of the ... - Halaman 319
T—Tak is a short, crisp sound produced by slapping the smaller head of the ketipung with the palm. d—Dung is a high, reso- nant sound produced by one or two fingers striking the larger head of the ketipung. D—Dang is a deep sound ...
Jeff Titon, Timothy Cooley, David Locke,
2008
8
Special Report - Center for Southeast Asian Studies, ...
Kendhang Depending on the gendhing formal structure and on its performance context, one of three combinations of kendhang is used: ciblon by itself; kendhang gendhing and ketipung played by one individual, a combination known as ...
Richard Anderson Sutton,
1993
9
Variation in Central Javanese gamelan music: dynamics of ...
Kendhang Depending on the gendhing formal structure and on its performance context, one of three combinations of kendhang is used: ciblon by itself; kendhang gendhing and ketipung played by one individual, a combination known as ...
Richard Anderson Sutton,
1993
10
Storypedia: Nusantara - Halaman 91
Alat musik ini dimainkan dengan cara dipetik. Biasa dimainkan bersama dengan ketipung (gendang kecil). Mandau Ketipung adalah gendang yang berukuran kecil. Alat musik ini biasa dimainkan bersama gambus dengan cara ditabuh.
Tim Women Script & Co,
2013