মালেএ SEMPALAI এর মানে কি?
মালে এর অভিধানে «sempalai» এর
আসল সংজ্ঞা দেখুন এ ক্লিক করুন।
বাংলাএ সংজ্ঞার
স্বয়ংক্রিয় অনুবাদ দেখুন এ ক্লিক করুন
মালেএর অভিধানে sempalai এর সংজ্ঞা
sempalai; সুপ্ত, নিখুঁত কারণ খুব ক্লান্ত ইত্যাদি sempalai; bersempalai, tersempalai terlantar kerana terlalu letih dll.
মালে এর অভিধানে «sempalai» এর
আসল সংজ্ঞা দেখুন এ ক্লিক করুন।
বাংলাএ সংজ্ঞার
স্বয়ংক্রিয় অনুবাদ দেখুন এ ক্লিক করুন
«SEMPALAI» এর সঙ্গে সম্পর্কিত মালে বই
নিম্নলিখিত গ্রন্থপঞ্জী নির্বাচনে
sempalai শব্দটির ব্যবহার খুঁজুন। মালে সাহিত্যে
sempalai শব্দের ব্যবহারের প্রসঙ্গ সম্পর্কিত বই এবং তার থেকে সংক্ষিপ্তসার।
1
Carnātic Music and the Tamils - Halaman 33
Abraham Panditar takes Sankarabaranam as the basic.59 Vipulanantar and S. Ramanathan identify 'Harikamboti' with Sempalai.40 Relative merits of the identifications are discussed in detail by Vi. Pa. Ka. Sundaram. He points out that ...
2
Traditional Agricultural Practices: Applications & ... - Halaman 50
Sempalai It is also being cultivated in Edaiyur village of Thirukazhukundram taluk at Kanchipuram district. Samba season is best season for cultivating this variety with duration of 100-105 days out of which 21-25 days are nursery period.
3
On music: a collection of essays - Halaman 19
The main scale when calculated to sruti intervals is the Sempalai which is the equivalent of the modern Harikambodhi or madhyama grama. The sempalai was the fundamental scale and other scales were derived by the model shift of tonic as ...
Ramanlal Chhotalal Mehta, Indian Musicological Society, 1989
4
Journal of the Indian Musicological Society - Jilid 15-16 - Halaman 23
The main scale when calculated to sruti intervals is the Sempalai which is the equivalent of the modern Harikambodhi or madhyama grama. The sempalai was the fundamental scale and other scales were derived by the model shift of tonic as ...
Indian Musicological Society, 1984
5
Royal patronage to Indian music - Halaman 18
The main scale when calculated to sruti intervals is the Sempalai which is the equivalent of the modern Harikambodhi or Madhyama grama. The Sempalai was the fundamental scale and other scales were derived by the model shift of tonic as ...
Gowri Kuppuswamy, Muthuswamy Hariharan, 1984
6
A Monograph on Kudumiyanmalai Inscription on Music - Halaman 66
The main scale when calculated to sruti intervals is the Sempalai which is the equivalent of modern Harikambodhi or madhyama grama. The Sempalai was the fundamental scale and other scales were derived by the model shift of tonic as ...
Venkataraman Premalatha, 1986
7
An Anthology of Indian Music - Halaman 236
The main scale when calculated to Siuti intervals is the Sempalai which is the equivalent o£ the modern Harikambodhi or madhyama grama. The Sempalai was the fundamental scale and other scales were derived by the model shiit of tonic ...
Gowri Kuppuswamy, Muthuswamy Hariharan, 1989
8
Cerita Sulung Jawa - Halaman 80
... Tarik nafas berdebus-debus bunyinya Seperti dok tambat kandang raja Dan bila dia beralih Gundik kak nam dok picit peha dia Rembah sempalai habis belaka Dia pun lalu dibangun dibangkit dengan segera Mukanya merah seperti bunga ...
Bahtin bin A. Razak, Jamilah Haji Ahmad, 1978
9
Kamus Dewan - Halaman 1067
... tersumbat; 2. ki tidak terkata apa-apa, terkelu. sempal III Jk patah (dahan, cabang kayu dll), serkah; menyempal mematahkan (dahan kayu dll), menyentak hingga (menyebabkan jadi) serkah. sempalai; bersempalai, tersempalai terlantar (spt ...
10
Musical instruments in Indian sculpture - Halaman 15
... GandhSra-grama was Dhaivata MurchanS. It fell into disuse because of its being difficult for playing. The scale Vilarippalai is derived from Sempalai ( the Tamil fundamental scale ) which is identical with the Dkaiuata MurchanS of Sa-grama.
Ganesh Hari Tarlekar, Nalini Tarlekar, 1972
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