রোমানীয়এ A COPERTÁ এর মানে কি?
রোমানীয় এর অভিধানে «a copertá» এর
আসল সংজ্ঞা দেখুন এ ক্লিক করুন।
বাংলাএ সংজ্ঞার
স্বয়ংক্রিয় অনুবাদ দেখুন এ ক্লিক করুন
রোমানীয়এর অভিধানে a copertá এর সংজ্ঞা
একটি কপারেটে ~ ইজ ট্রানজ (বই, নোটবুকে, রেজিস্ট্রি ইত্যাদি) একটি কভার দিয়ে প্রবর্তন করা। A COPERTÁ ~éz tranz. (cărți, caiete, registre etc.) A înzestra cu copertă.
রোমানীয় এর অভিধানে «a copertá» এর
আসল সংজ্ঞা দেখুন এ ক্লিক করুন।
বাংলাএ সংজ্ঞার
স্বয়ংক্রিয় অনুবাদ দেখুন এ ক্লিক করুন
«A COPERTÁ» এর সঙ্গে সম্পর্কিত রোমানীয় বই
নিম্নলিখিত গ্রন্থপঞ্জী নির্বাচনে
a copertá শব্দটির ব্যবহার খুঁজুন। রোমানীয় সাহিত্যে
a copertá শব্দের ব্যবহারের প্রসঙ্গ সম্পর্কিত বই এবং তার থেকে সংক্ষিপ্তসার।
1
Looking at European Ceramics: A Guide to Technical Terms - Pagina 39
They can also serve as a simple transparent coating over biscuit-fired ware or over painted decoration to protect and render glossy the underlying surf ace. This type of clear "varnish" lead glaze is called a kwaart (Dutch) or a coperta (Italian).
David Harris Cohen, Catherine Hess, 1993
2
L'Époque Et Son Style : la Renaissance Italienne : 1400-1600
The Italians used the same term, copriletti, and also spoke of coperte da lecto while variations like copertoio, copertone and copertore are found in different regions. Attempts to discover a commonly agreed distinction between a coperta and a ...
3
Storia letteraria d'Italia ... - Pagina 367
veggendo , che la difpofizione delle immagini Vefcovili è aliai irregolare, e feoncia, altre di effe lìando, o traf- verfalmente , 0 col capo all' ingiù , fofpetta , che dapprima ad altro ufo foffe fervita , come a coperta d'. pri- D'Italia Lib. Ih Gap.
Francesco Antonio Zaccaria, 1755
4
Basic Archival Problems: Strategies for Development - Pagina 87
Many fascicoli lacked the "coperta forte or robust cover prescribed by the regolamento generale", and there was no titolario. One after the other, the inspector's analysis touched on all the critical elements of a situation that must have been quite ...
International Council on Archive, 1999
5
Italian Ceramics: Catalogue of the J. Paul Getty Museum ... - Pagina 4
Sometimes a final coperta (cover) glaze was applied to especially precious objects, which functioned like a clear varnish, fusing the pigments and leaving a particularly shiny, jewellike surface. (A coperta is composed of marzacotto (cooking ...
6
Bibliographic Guide to Soviet and East European Studies
ISBN 963-330-114-9: LC Card 77-563665 DDC 780/ 92/4 В /. Handel. Georg Friedrich, /Й85-/759 2. Composers - Biography. I. Title. ML410.H13 B38 1977 Bârna, Vlaicu, 1913- Auster. [Versuri. Coperta: Cr. Müller], Bucuresti, Editura Eminescu ...
Gale Group, New York Public Library. Slavonic Division, New York Public Library Staff, 1997
7
Glossary of Basic Archival and Library Conservation Terms: ...
S — Encuadernacidn en tapa suelta G - Einhangen des Buchblocks in die Decke I - Legatura a coperta staccata, legatura a cartella F - Emboitage (ex: cartonnage bradel) R - IlepenjieT HaroTOBJieHHuK OTfleJibHO ot KHiocHoro Ojjoks 063 ...
Carmen Crespo Nogueira, 1988
8
Libro primo, in cui si tratta della fortificazione regolare
l l *max-ó 1.07: dare p'ure a 'coperto nella strad'a coperta' V. Questa guardia difende collo schiop— po il fosso del rivellino, efa delle frequenti'irruzioni contro l' assalitore, al— ]orchè co' suoi lavori s' introduce in' questo fosso. - 12.3. La strada ...
Alessandro Vittorio Papacino d'Antoni, 1778
9
Boats, Ships and Shipyards: Proceedings of the Ninth ... - Pagina 121
), la maggior parte, et parte di dita 18 (= cm 37.08), et parte di dita 20 (= cm 41.2) et parte di dita 27 (= cm 55.62), secondo le grossezze delli legniami; aguti da chiavare la coperta di dita 9 (= cm 18.54); aguti di 1500 a ballone; ...
Carlo Beltrame, Università degli studi di Venezia. Dipartimento di scienze dell'antichità e del Vicino Oriente, 2003
10
Italian Renaissance maiolica from southern collections - Pagina 26
To enhance the colors even more finer wares, after being painted, also received a coperta, a second, transparent lead-glaze, sprinkled on to avoid ruining the unfired painting on the bianco. The coperta acted like a varnish, intensifying the ...
Andrew Ladis, Georgia Museum of Art, 1989
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