10 BÜCHER, DIE MIT «FAUXBOURDON» IM ZUSAMMENHANG STEHEN
Entdecke den Gebrauch von
fauxbourdon in der folgenden bibliographischen Auswahl. Bücher, die mit
fauxbourdon im Zusammenhang stehen und kurze Auszüge derselben, um seinen Gebrauch in der Literatur kontextbezogen darzustellen.
1
Symbolic Scores: Studies in the Music of the Renaissance - Strona 17
GUILLAUME DUFAY'S CONCEPT OF FAUX-BOURDON* It is certainly no exaggeration to say that the term 'faux-bourdon'1 is "enigmatic"2 and that the creation of the technique is "one of the most strenuously-debated and enduring mysteries ...
2
The Harvard Dictionary of Music - Strona 310
In such improvisation, the preexisting melody is in the tenor, whereas in written fauxbourdon it is in the upper voice. The relationship of fauxbourdon to the English *faburden has been debated extensively, but no thoroughly convincing ...
3
Reader's Guide to Music: History, Theory and Criticism - Strona 232
Fauxbourdon. Bradshaw, Murray C., The Falsobordone: A Study in Renaissance and Baroque Music, Rome: American Institute of Musicology, 1978 Kenney, Sylvia, Walter Frye and the Contenance Angloise, New Haven, Connecticut: Yale ...
4
Counterpoint and Compositional Process in the Time of ... - Strona 96
composers, and he concludes on the basis of the sources that Dufay should be considered the creator of fauxbourdon.14 To be sure, Besseler is careful to restrict the concept of fauxbourdon to the express designation “fauxbourdon piece.
5
Der neue „Wohlklang“ im 15. Jahrhundert - Faburden und ...
Johannes Tinctoris und Musiktheoretiker aus dem 20.
6
Harvard Dictionary of Music - Strona 309
FAREWELL SONATA FAUXBOURDON act were called farsa, e.g., Rossini's La Cambiale di matrimonio (1810). Farewell Sonata. See A dieux, Les. Farewell Symphony. See Abschieds- Symphonic. Fasola. A system of *solmization, much ...
7
Plainsong in the Age of Polyphony - Strona 19
It may have been an instinctive attraction to tonal unity that led to a reinterpretation of the structure of faburden, whereby the plainsong came to be regarded generally as being in the top rather than the middle voice.46 Continental fauxbourdon ...
Thomas Forrest Kelly, 1992
8
Essays on Renaissance Music in Honour of David Fallows: ...
TrentC 87),4 although its presence is evidence that fauxbourdon was new and unfamiliar. It has an unconvincing ring; something like sighting a pitch at the fifth above the discantus, then singing it an octave lower, would produce a lower fourth ...
Fabrice Fitch, Jacobijn Kiel, 2011
9
Hugo Riemann and the Birth of Modern Musical Thought - Strona 159
Here, once again, Riemann went over some aspects of his primordial history of music, but he noticeably re-evaluated the significance of fauxbourdon: In any case, the somewhat mechanical restrictions of strict fauxbourdon assign it a ...
10
The Sounds and Sights of Performance in Early Music: ... - Strona 75
The conventions surrounding the use of this enigmatic term in polyphonic music manuscripts, beginning around 1430 and continuing to the early sixteenth century, invariably involved the French word itself, usually separated as faux bourdon, ...
Brian E. Power, Maureen Epp, 2009
5 NACHRICHTEN, IN DENEN DER BEGRIFF «FAUXBOURDON» VORKOMMT
Erfahre, worüber man in den einheimischen und internationalen Medien spricht und wie der Begriff
fauxbourdon im Kontext der folgenden Nachrichten gebraucht wird.
Anonymous 4 Bid Adieu in Character
The Christmas carol “Ecce quod natura,” provided an early flurry of harmonic interest, with the transverse motion of an interpolated fauxbourdon harmony below ... «San Francisco Classical Voice, Okt 15»
…art translated
Fauxbourdon, monody, the operatic Intermezzo—these are the subversive forces which helped to usher in (respectively) the musical Renaissance, Baroque, ... «Brooklyn Rail, Nov 14»
Kile Smith Suggests: The Treasury of English Church Music
Unison chant begins it, and soon, second and third voices join in parallel motion, the gently sweet fauxbourdon and open cadences that herald the first stirrings ... «WRTI, Nov 12»
Die Stimmgewalt des Weltengerichts
Jahrhundert) zu einem Fauxbourdon – einem dreistimmigen Satz – verarbeitet wurde. Ein berühmtes Werk ist Bruckners Motette über diesen Hymnus. «Badische Zeitung, Mär 11»
It's a Still Life That Runs Deep
The piece seems to float, to hover in the air, due to a predominant use of inverted chords, recalling the Renaissance practice of fauxbourdon. Inclusion of the ... «Wall Street Journal, Feb 09»
