CONJUGATION OF THE VERB TO DOUBLE-STOPPING
PRESENT
Present
I double-stopping
you double-stopping
he/she/it double-stoppings
we double-stopping
you double-stopping
they double-stopping
Present continuous
I am double-stoppinging
you are double-stoppinging
he/she/it is double-stoppinging
we are double-stoppinging
you are double-stoppinging
they are double-stoppinging
Present perfect
I have double-stoppinged
you have double-stoppinged
he/she/it has double-stoppinged
we have double-stoppinged
you have double-stoppinged
they have double-stoppinged
Present perfect continuous
I have been double-stoppinging
you have been double-stoppinging
he/she/it has been double-stoppinging
we have been double-stoppinging
you have been double-stoppinging
they have been double-stoppinging
Present tense is used to refer to circumstances that exist at the present time or over a period that includes the present time. The
present perfect refers to past events, although it can be considered to denote primarily the resulting present situation rather than the events themselves.
PAST
Past
I double-stoppinged
you double-stoppinged
he/she/it double-stoppinged
we double-stoppinged
you double-stoppinged
they double-stoppinged
Past continuous
I was double-stoppinging
you were double-stoppinging
he/she/it was double-stoppinging
we were double-stoppinging
you were double-stoppinging
they were double-stoppinging
Past perfect
I had double-stoppinged
you had double-stoppinged
he/she/it had double-stoppinged
we had double-stoppinged
you had double-stoppinged
they had double-stoppinged
Past perfect continuous
I had been double-stoppinging
you had been double-stoppinging
he/she/it had been double-stoppinging
we had been double-stoppinging
you had been double-stoppinging
they had been double-stoppinging
Past tense forms express circumstances existing at some time in the past,
FUTURE
Future
I will double-stopping
you will double-stopping
he/she/it will double-stopping
we will double-stopping
you will double-stopping
they will double-stopping
Future continuous
I will be double-stoppinging
you will be double-stoppinging
he/she/it will be double-stoppinging
we will be double-stoppinging
you will be double-stoppinging
they will be double-stoppinging
Future perfect
I will have double-stoppinged
you will have double-stoppinged
he/she/it will have double-stoppinged
we will have double-stoppinged
you will have double-stoppinged
they will have double-stoppinged
Future perfect continuous
I will have been double-stoppinging
you will have been double-stoppinging
he/she/it will have been double-stoppinging
we will have been double-stoppinging
you will have been double-stoppinging
they will have been double-stoppinging
The
future is used to express circumstances that will occur at a later time.
CONDITIONAL
Conditional
I would double-stopping
you would double-stopping
he/she/it would double-stopping
we would double-stopping
you would double-stopping
they would double-stopping
Conditional continuous
I would be double-stoppinging
you would be double-stoppinging
he/she/it would be double-stoppinging
we would be double-stoppinging
you would be double-stoppinging
they would be double-stoppinging
Conditional perfect
I would have double-stopping
you would have double-stopping
he/she/it would have double-stopping
we would have double-stopping
you would have double-stopping
they would have double-stopping
Conditional perfect continuous
I would have been double-stoppinging
you would have been double-stoppinging
he/she/it would have been double-stoppinging
we would have been double-stoppinging
you would have been double-stoppinging
they would have been double-stoppinging
Conditional or "future-in-the-past" tense refers to hypothetical or possible actions.
IMPERATIVE
Imperative
you double-stopping
we let´s double-stopping
you double-stopping
The
imperative is used to form commands or requests.
NONFINITE VERB FORMS
Infinitive
to double-stopping
Past participle
double-stoppinged
Present Participle
double-stoppinging
Infinitive shows the action beyond temporal perspective. The
present participle or gerund shows the action during the session. The
past participle shows the action after completion.
10 ENGLISH BOOKS RELATING TO «DOUBLE-STOPPING»
Discover the use of
double-stopping in the following bibliographical selection. Books relating to
double-stopping and brief extracts from same to provide context of its use in English literature.
Double Stopping. THE MAIN DIFFICULTY IN DOUBLE STOPPING — HOW TO
GAIN INDEPENDENCE OF FINGER. DOUBLE stopping is a part of our main
subject best learnt at the present stage, and though in itself a purely mechanical
study ...
2
Violin Technique and Performance Practice in the Late ...
Double stopping was not unanimously accepted as a valid technical device in the
eighteenth century, when many writers disapproved of its use. Avison, for
instance, remarked (1753) that 'even in the hands of the greatest masters, double
...
I have had some studies in double stopping, but I never feel at all certain when I
attempt double notes that they will be in tune. I have had most of the Kayser
studies, have worked through nearly all of the first two books of the Mazas studies
, ...
4
Chats to 'cello students
CHAPTER X. DOUBLE-STOPPING — USEFUL IN DEVELOPING THE HAND
HOW TO DETERMINE THE FINGERING OF VARIOUS INTERVALS — GLIDING
IN DOUBLE-STOPS — CHORDS — A CORRECT MANNER OF PLAYING ...
Double-stopping, n. in mus., the stopping of two strings simultaneously with the
fingers in violin playing. The practice was first suggested by John Francis Henry
Biber in 1681. in a set of solos for a violin and a bass; one of these pieces is ...
6
American encyclopedic dictionary
The practice was first suggested by John Francis Henry Biber in 1681, in a set of
solos for a violin and a bass : one of those pieces is written in three staffs, two for
the violin-playing in double-stopping, and the third for the bass. He also in the ...
Robert Hunter, John Alfred Williams, Sidney John Hervon Herrtage, 1897
7
The Anglo-American Encyclopedia and Dictionary: Dictionary ...
The practice was first suggested by John Francis Henry Biber in 1681, in a sot of
solos for a violin and a bass : one of those pieces is written in throe staffs, two for
the violin-playing in double-stopping, and tho third for the bass. Ho also in the ...
8
The imperial encyclopaedic dictionary: a new and exhaustive ...
double-stopping, a. Music: The stopping of two strings simultaneously with the
fingers in violin-playing. The practice was first suggested by John Francis Henry
Biber in 1681, in a sot of solos for a violin and a bass: one of these pieces is
written ...
9
The New American Encyclopedic Dictionary: An Exhaustive ...
double-stopping, s. Music: The stopping of two strings simultaneously with the
fingers in violin-playing. Tho practice was first suggested by John Francis Henry
Biber in 1631, in a set of solos for a violin and a bass : one of these pieces is
written ...
Edward Thomas Roe, Le Roy Hooker, Thomas W. Handford, 1907
10
The American Dictionary and Cyclopedia: A New and Exhaustive ...
The nactice was flist suggested by John_ Francis cnry Biber in 1681, in a
setpfsolos for_a violin and a bass: one of these pieces is written in three_ studs,
two for the Vl0llI1-glliylnfi in double-stopping, and the third for the ass. e also in
the sum ...
Charles Morris, Robert Hunter, 1900
10 NEWS ITEMS WHICH INCLUDE THE TERM «DOUBLE-STOPPING»
Find out what the national and international press are talking about and how the term
double-stopping is used in the context of the following news items.
Ehnes, Armstrong, Wigmore Hall
... in the piano from the start, but the violin has equal claim in melody eventually muted, plus a quietly spectacular double-stopping plunge at the ... «The Arts Desk, May 15»
Review: Nigel Kennedy, Royal Concert Hall
... were enthralled as Kennedy impressed with his skilled intonation, speed and the effortlessness of his fingering and double-stopping. «Nottingham Post, May 15»
Concert Review: Chang a feast for the eyes but not for the ears
By the Allegro's second theme, her intonation had become worryingly insecure, particularly with double-stopping, steeling us for a charm-free ... «New Zealand Herald, May 15»
Gunar Letzbor (Baroque violin)
... with the stretched note at the apex of each phrase in the B minor Partita's Double and the cussedly plain double-stopping of its Sarabande. «The Strad, Apr 15»
Emil Altschuler (violin) Keunyoung Sun (piano)
... there are elegant rhythmic touches; but where the going gets tough, his spiccato gets picky and his double-stopping aggressive. «The Strad, Apr 15»
Cellist takes concerto out of this world
... with me on my own more mundane voyage home, as did memories of the kinetic energy and unerring accuracy of his double-stopping. «New Zealand Herald, Apr 15»
Janine Jansen brings perfect understanding to Brahms concerto
She was fearless in the bravura passages — with dazzling dexterity in the sustained sections of double-stopping and high harmonics — but ... «The Australian, Mar 15»
Arturo Benedetti Michelangeli, Vol. IV = BACH: Chaconne in D Minor …
Few pianists can so brilliantly capture the violin bariolage and double-stopping endemic in Paganini -as in the Bach transcription – all the more ... «Audiophile Audition, Mar 15»
Free tickets for top Classical concerts
... interrupted by more rhapsodic and lyrical sections in which the emotional intensity is heightened by the use of double-stopping (or multiple ... «Grocott's Mail Online, Feb 15»
REVIEW: Manchester Camerata Strings At The Cathedral
As with the Haydn, its Mozartian opening Andante is heavy with double-stopping, building a remarkable intensity that lingers even behind the ... «Manchester Confidential, Feb 15»
