मलय में SEMPALAI का क्या अर्थ होता है?
ध्यान दें: परिभाषा का मलयमें स्वचालित अनुवाद किया गया है। मलय में «sempalai» की
मूल परिभाषा देखने के लिए क्लिक करें।
हिन्दी में परिभाषा का
स्वचालित अनुवाद देखने के लिए क्लिक करें।
मलयशब्दकोश में sempalai की परिभाषा
sempalai; निष्क्रिय, निर्जलित क्योंकि बहुत थका हुआ आदि sempalai; bersempalai, tersempalai terlantar kerana terlalu letih dll.
ध्यान दें: परिभाषा का मलयमें स्वचालित अनुवाद किया गया है। मलय में «sempalai» की
मूल परिभाषा देखने के लिए क्लिक करें।
हिन्दी में परिभाषा का
स्वचालित अनुवाद देखने के लिए क्लिक करें।
मलय किताबें जो «SEMPALAI» से संबंधित हैं
निम्नलिखित ग्रंथसूची चयनों में
sempalai का उपयोग पता करें।
sempalai aसे संबंधित किताबें और मलय साहित्य में उसके उपयोग का संदर्भ प्रदान करने वाले उनके संक्षिप्त सार।.
1
Carnātic Music and the Tamils - Halaman 33
Abraham Panditar takes Sankarabaranam as the basic.59 Vipulanantar and S. Ramanathan identify 'Harikamboti' with Sempalai.40 Relative merits of the identifications are discussed in detail by Vi. Pa. Ka. Sundaram. He points out that ...
2
Traditional Agricultural Practices: Applications & ... - Halaman 50
Sempalai It is also being cultivated in Edaiyur village of Thirukazhukundram taluk at Kanchipuram district. Samba season is best season for cultivating this variety with duration of 100-105 days out of which 21-25 days are nursery period.
3
On music: a collection of essays - Halaman 19
The main scale when calculated to sruti intervals is the Sempalai which is the equivalent of the modern Harikambodhi or madhyama grama. The sempalai was the fundamental scale and other scales were derived by the model shift of tonic as ...
Ramanlal Chhotalal Mehta, Indian Musicological Society, 1989
4
Journal of the Indian Musicological Society - Jilid 15-16 - Halaman 23
The main scale when calculated to sruti intervals is the Sempalai which is the equivalent of the modern Harikambodhi or madhyama grama. The sempalai was the fundamental scale and other scales were derived by the model shift of tonic as ...
Indian Musicological Society, 1984
5
Royal patronage to Indian music - Halaman 18
The main scale when calculated to sruti intervals is the Sempalai which is the equivalent of the modern Harikambodhi or Madhyama grama. The Sempalai was the fundamental scale and other scales were derived by the model shift of tonic as ...
Gowri Kuppuswamy, Muthuswamy Hariharan, 1984
6
A Monograph on Kudumiyanmalai Inscription on Music - Halaman 66
The main scale when calculated to sruti intervals is the Sempalai which is the equivalent of modern Harikambodhi or madhyama grama. The Sempalai was the fundamental scale and other scales were derived by the model shift of tonic as ...
Venkataraman Premalatha, 1986
7
An Anthology of Indian Music - Halaman 236
The main scale when calculated to Siuti intervals is the Sempalai which is the equivalent o£ the modern Harikambodhi or madhyama grama. The Sempalai was the fundamental scale and other scales were derived by the model shiit of tonic ...
Gowri Kuppuswamy, Muthuswamy Hariharan, 1989
8
Cerita Sulung Jawa - Halaman 80
... Tarik nafas berdebus-debus bunyinya Seperti dok tambat kandang raja Dan bila dia beralih Gundik kak nam dok picit peha dia Rembah sempalai habis belaka Dia pun lalu dibangun dibangkit dengan segera Mukanya merah seperti bunga ...
Bahtin bin A. Razak, Jamilah Haji Ahmad, 1978
9
Kamus Dewan - Halaman 1067
... tersumbat; 2. ki tidak terkata apa-apa, terkelu. sempal III Jk patah (dahan, cabang kayu dll), serkah; menyempal mematahkan (dahan kayu dll), menyentak hingga (menyebabkan jadi) serkah. sempalai; bersempalai, tersempalai terlantar (spt ...
10
Musical instruments in Indian sculpture - Halaman 15
... GandhSra-grama was Dhaivata MurchanS. It fell into disuse because of its being difficult for playing. The scale Vilarippalai is derived from Sempalai ( the Tamil fundamental scale ) which is identical with the Dkaiuata MurchanS of Sa-grama.
Ganesh Hari Tarlekar, Nalini Tarlekar, 1972
