«AMBIOPHONY»に関連する英語の本
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1
Sound Reinforcement Engineering: Fundamentals and Practice
AMBIOPHONY This procedure makes use of time-delay equipment that simulates
the discrete 'initial reflections' as well as the 'reverberation tail'. The reflection
sequences have to be chosen so that no comb-filter effects, as in the form of
flutter ...
Wolfgang Ahnert, Frank Steffen, 2000
2
Oxford English Dictionary Additions Series
322/2 The solution to this problem by means of ambiophony has already been
described. 1963 Radio Times 10 Jan. 32/1 Studio 4 uses a new device called '
arnbiophony'. . .The 'dead' orchestral sound is . . played back to the studio
through.
J. A. Simpson, Michael Proffitt, E. S. C. Weiner, 1997
3
Journal of the Audio Engineering Society
The signal sequence with the ambiophony groups E is shown in Fig. 8. At first the
basically delayed signal (one reflection) arrives in order to increase the
intelligibility. A second reflection follows with a level reduced by about 9 dB, and
then a ...
Audio Engineering Society, 1983
Ambiophony. The use of one of the various artificial reverberation devices
described on page 72 can help to produce a tolerable broadcast even from a
studio with very dead acoustics but it does nothing to help the performance.
Playing an ...
5
Philips Technical Review
30, 13 Ambiophony 21, 52 Amplifiers: 10 W wide-band, with 7 cm disc seal triode
21, 41 400 MHz, for radio astronomy (with EC 157) . . . . 21,317 see also :
Differential amplifiers Masers Parametric amplifiers Amplifier valves for cm waves
, see ...
additional delay is essential because the acoustic path lengths are shorter than
the actual dimensions of the studio would suggest: the total distance from
musician to ambiophony microphone, plus that from wall or roof loudspeaker to
listener ...
7
Audio Preservation: A Planning Study : Final Performance Report
nricrophones, ambiophony syste microphones, ambiophony system2
microphones, ambiophony system3 microphones, ambiophony system4
microphones, ambiophony system5 Microphonesi microphones2 microphones2
Microphones2 ...
Associated Audio Archives, Association for Recorded Sound Collections. Associated Audio Archives Committee, George Brock-Nannestad
8
The technique of the sound studio: for radio, television and ...
The primary purpose of ambiophony is to create conditions in which musicians
can work comfortably, as in natural acoustics. There is no doubt that this is
achieved — but in addition a reasonable simulation of music studio acoustics is ...
9
Sound with vision: sound techniques for television and film
The ambiophony input can be obtained by taking a second (hybrid) output from
the accentuation microphones e.g. by connecting their output to foldback and
using this to supply the ambiophony feed or alternatively by using a separate ...
This is usually achieved by using two completely separate balances, one for the
broadcast and another to feed the ambiophony equipment. The latter is generally
much closer and is arranged to favour the string and woodwind sections of the ...
Gilbert Arthur Briggs, 1963
