«FLESH TINTS»に関連する英語の本
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1
Camera: A Practical Magazine for Photographers
course, have flesh tints. Therefore, all we have to do will be to get the flesh tints in
the high-lights and the shadows, and we will have done all that we can do toward
getting flesh tints in the picture. The addition of a head screen to soften the ...
course, have flesh tints. Therefore, all we have to do will be to get the flesh tints in
the high-lights and the shadows, and we will have done all that we can do toward
getting flesh tints in the picture. The addition of a head screen to soften the ...
3
Catalogue of the Special Loan Exhibition of Enamels on Metal ...
DiSh : painted in grisaille Limoges enamel and pale flesh tints, with sea monsters
and naiads. French. 16th century. Diam. 7 in. Lent by the Duke of Marlborough,
K.G. 515. SaltCeLlaRS, a pair : painted in grisaille Limoges enamel. They are ...
South Kensington Museum, Victoria and Albert Museum,
1875
4
Medieval and Renaissance Treatises on the Arts of Painting: ...
preparation, as in some of the pictures of Gian Bellino and Rubens, the artist
proceeded to paint the flesh tints.1 But Where the chiaroscuro was of a rich
brown, it was necessary to interpose grey tints between the shades and the flesh
tints.
Mrs. Mary P. Merrifield,
1999
5
The book of photography, practical, theoretic and applied
A not very permanent colour ; useful for flesh tints. Yellow Ochre. — Used in
painting fair hair, and sometimes for backgrounds. Orange. Vermilion. Rose
Madder.— A good transparent colour suitable for delicate flesh tints. Aureolin.
Viridian.
Paul Nooncree Hasluck,
1907
6
Rembrandt: The Painter at Work
... the various flesh tints: white, yellow ochre, vermilion, red lake, various browns,
black and sometimes terre verte (fig. 18o).13 Where the palettes with shades of
blue can easily be related to the painting of the iconographically signif1cant robe
...
Ernst van de Wetering,
1997
7
Medieval and Renaissance Treatises on the Arts of Painting: ...
preparation, as in some of the pictures of Gian Bellino and Rubens, the artist
proceeded to paint the flesh tints.' But where the chiaroscuro was of a rich brown,
it was necessary to interpose grey tints between the shades and the flesh tints.
8
The Art of Fresco Painting in the Middle Ages and the ...
There are moreover other reddish and bluish tints besides those in the face,
which are easily obtained by mixing red or green with the lighter flesh tints; other
similar colours are made with the dark flesh tints. Having thus finished mixing the
...
In fact, let us suppose that the figure of a woman has been painted in shadow,
upon a bright ground, it is evident that though she might be of the most dazzling
brightness of colour, yet that the brilliancy of the flesh tints would disappear so ...
10
Manual of Egyptian Archaeology and Guide to the Study of ...
The flesh-tints of men are of a dark reddish brown, and the flesh-tints of women
are pale yellow. The colours conventionally assigned to each animate and
inanimate object were taught in the schools, and their use handed on unchanged
from ...
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Lewis Carroll and his “child-friends”: revelations about Alice and her …
Carroll had an artist colour in the flesh tints. This photograph is about the beauty of the flesh; what is not present is the character and ... «New Statesman, 4月 15»
A Point of View: How do we know real art when we see it?
Likewise Rembrandt will take the flesh tints on an ageing face and show how each one captures something of the life within, so that the formal ... «BBC News, 12月 14»
BP Portrait Award 2012, National Portrait Gallery, London
A golden haze plays around her, and the flesh tints have the bluey accuracy of Freud, but not his spite. A worthy winner indeed. Three cheers ... «The Independent, 6月 12»
Fingerprint points to $19000 portrait being revalued as £100m work …
Lumière have identified the chalk as amphelite, a fine-grained black argillite (clay slate). Meanwhile flesh tints, and the amber tone of the iris, ... «antiquestradegazette.com, 10月 09»
Brought back to life
Hanging in the governor's study now, it is an elegant portrait with only the poet's radiant face and beard painted in soft flesh tints standing out ... «Calcutta Telegraph, 4月 09»
New online journal focuses on Medieval art
By then it had become the norm for glass-painters to use colorless glass instead of flesh tints. A virginal saint might be celebrated in enamels, ... «Arizona State University, 1月 09»