«GOLDSIZE»に関連する英語の本
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1
Measurement of Blast Fragmentation
Blast. fragmentation. measurement. using. GoldSize. T.H.Kleine Golder
Associates Inc., Seattle, Wash., USA A.R.Cameron G older Associates Ltd.
Sudbury. Ont., Canada ABSTRACT: GoldSize is a WindowsTM based computer
program to ...
John A. Franklin, T. Katsabanis, 1996
2
Decorative Style: The Most Original and Comprehensive ...
The key to a smooth finish is to lay the leaf when the goldsize is almost dry, but
just tacky enough for the leaf to adhere. The drier the goldsize the better the finish
. The drying speed of different brands varies from one to twelve hours, so check ...
3
Kevin McCloud's Complete Book of Paint and Decorative Techniques
In particular, read the hints and tips overleaf concerned with atmospheric
conditions. YOU WILL NEED Varnishing brush Goldsize Turpentine (optional)
Liquid gum arabic Soft round paintbrush Artist's oil paint Rag or paper towel
Cotton bud or ...
4
Arts and Crafts Stencilling
Ordinary tube oil colours, thinned with turps and with a little Japanner's goldsize
added, are very satisfactory. The craftsman will be guided, of course, by the
surface on which he is working. On flatted or oil painted grounds, turps colours
bound ...
5
Measurement and Analysis of Blast Fragmentation
Evolution of measurement systems 1996 Dahlhielm The IPACS system 1996
Havermann & V0 gt TUCIPS 1996 Schleifer & Tessier FRAGSCAN 1996 Downs
& Kettunnen CIAS (Online measurement) 1996 Kleine & Cameron GoldSize
1996 ...
Jose A. Sanchidrian Blanco, Ashok Kumar Singh, 2012
6
Paint and Varnish Production Manager
grades of goldsize are made according to requirements and are known under
such names as coachmakers' goldsize, Japan goldsize, gilders' goldsize and
shellac goldsize. These varnishes are thin and dry in a few hours. Coachmakers'
...
7
Explosives and Blasting Technique
Programs of the type GoldSize, WipFrag, Split- Engineering and others, using a
digitized image for determination of the fragment size distribution, give more
accurate values for the rock factor. In this paper the program GoldSize was used.
8
Painting and decorating: being the seventh edition and a ...
GROUNDS The ground for gilding with Japan goldsize or oil-size should be non-
absorbent; it may ... varnish or enamel, flat or glossy, the important point being
that before laying-in with the goldsize the ground should be hard and free from ...
Albert Edwin Hurst b. 1880, Walter Pearce, 1949
9
Dictionarium Polygraphicum, Or, The Whole Body of Arts ...
Of mixing and laying on the goldsize. 1. First prime the piece with the priming.
Take the best goldsize, fat oil, of each according to the gnantity of your work,
grind them well on a stone, and put them into a gaily-pot. 2. Pass the piece all
over with ...
Shellac Goldsize Mediums. — Goldsize varnishes were formerly very extensively
used as the medium in which various pigments were ground to a stiff paste form
for the production of coach colours. Goldsize varnish is usually a hard-drying ...
