«RAGAS»に関連するマレー語の本
以下の図書目録から
ragasの使いかたを見つけましょう。
ragasに関する本とマレー語文献で使われた文脈を提供するための簡単な抜粋文。
1
Ragas of Longing: The Poetry of Michael Ondaatje
Solecki suggests that Ondaatje's poetry can be seen as constituting a relatively unified personal canon that has evolved with each book building on its predecessor while simultaneously preparing the groundwork for the following volume. ...
2
Ragas: From the Periphery
A raga is a melodic composition in Indian classical music that imparts certain emotions. "Ragas From the Periphery" is a collection that uses language as its instrument.
3
Ragas in Hindustani Music: Conceptual Aspects - Jilid 1
This is an advisable work of art and a real countributor to the movement towards greater understanding of Indian Classical Music.
4
Ragas of the Sangita saramrta by King Tulaja of Tanjore
Study of Saṅgītasārāmr̥tam by Tulaja I, King of Thanjāvūr, fl. 1729-1735.
T. V. Subba Rao (Sangita Kalanidhi.), Yas. Ār Jānaki Rāman,
1993
5
Ragas in Indian classical music
This is an advisable work of art and a real countributor to the movement towards greater understanding of Indian Classical Music.
6
Raga'n Josh: Stories from a Musical Life
The Present Book Provides, For The First Time Within The Covers Of A Single Volume, Her Collected Shorter Writings, Including All Her Memorable Stories And Essays.
7
The Garland Encyclopedia of World Music: South Asia : the ...
Sanskrit language structure, classified ragas according to a logical and formulaic framework. These writers considered ragas with certain defined characteristics as source (meja) ragas. Such ragas served as source material not only for ...
Bruno Nettl, Alison Arnold, Ruth M. Stone,
1998
8
The Rāgas of Somanātha: Musical exemples. Part 2 - Halaman 3
I shall confine myself to examining the 51 ragas, which Somanatha illustrates with a music example. Those ragas of which he only gives a theoretical description, are not discussed in this book. All Somanatha's music examples have been ...
9
Essays on Indian Music - Halaman 4
six notes and (c) Sampoorna or heptatonic, a composition of seven notes, Every Raga must have at least five notes, starting at Sa, one principal note, a second important note and a few helping notes. The principal note, "King" is the note on ...
10
Singing the Praises Divine: Music in the Hindu Tradition - Halaman 57
RAGA IN CONTEXT: THE TREATMENT OF MELODY TYPES IN ASTAYAMA SEVA AND VAISNAVA LITURGIES The distinctive quality of raga as a vehicle to convey human sentiments is already implied in the term itself: derived from the ...