APA TEGESÉ POSTFEMINIST ING BASA INGGRIS?
Postfeminism
Feminisme pasca-reaksi iku minangka reaksi marang sawetara kontradiksi lan absen feminisme gelombang kapindho. Istilah post-feminisme ditemokake kanthi gerah lan digunakake kanthi cara sing ora konsisten. Nanging, umumé ngandhut kapercayan sing feminisme wis nggayuh tujuan kanggo ningkatake jinis seksisme, saengga dhasaré nentang niat gelombang kaping telu ngetokake perjuangan feminis. Sajarah iki digunakake kanggo menehi kontras karo feminisme sing dumadi utawa sadurunge.
Definisi saka postfeminist ing bausastra Basa Inggris
Définisi pisanan saka postfeminist ing kamus kasebut asil saka utawa kalebu keyakinan lan gagasan feminisme. Definisi liyane saka postfeminist beda-beda saka utawa nuduhake moderasi saka kapercayan lan gagasan iki. Postfeminist uga wong sing pracaya utawa ndhukung gagasan sing wis dikembangake saka gerakan feminis.
BUKU BASA INGGRIS KAKAIT KARO «POSTFEMINIST»
Temukaké kagunané saka
postfeminist ing pilihan bibliografi iki. Buku kang kakait dening
postfeminist lan pethikan cekak kang padha kanggo nyediyakaké panggunané ing sastra Basa Inggris.
1
Postfeminist Education?: Girls and the Sexual Politics of ...
This book challenges a contemporary postfeminist sensibility grounded not only in assumptions that gender and sexual equality has been achieved in many Western contexts, but that feminism has gone ‘too far’ with women and girls now ...
2
Postfeminist News: Political Women in Media Culture
Political Women in Media Culture Mary Douglas Vavrus. print news organizations
are rife with reports and other signs of sex discrimi- nation.Television news
correspondent Marlene Sanders (1993) argues that this is due, in part, to a lack ...
Mary Douglas Vavrus,
2012
3
Watching Rape: Film and Television in
Postfeminist Culture
In "Watching Rape", Sarah Projansky undermines the complacent view - that equality for women has already been achieved - in her analysis of depictions of rape in US film, televsion, and independent video.
4
Taking a Stand in a
Postfeminist World: Toward an Engaged ...
Ranging across contemporary culture from the academy to shopping malls, this book offers engaged cultural criticism in a postfeminist context.
Frances E. Mascia-Lees, Patricia Sharpe,
2012
5
Feminism Without Women: Culture and Criticism in a ...
--Publisher's description. In 'Feminism Without Women' Tania Modleski examines 'the myth of postfeminism' and its operation in popular culture, especially popular film and cultural studies.
6
Television and
Postfeminist Housekeeping: No Time for Mother
Based on the author's dissertation (doctoral)--Northwestern University.
Elizabeth Nathanson,
2013
7
Micro-politics: Agency in a
Postfeminist Era
Patricia S. Mann explains our current period as a time of social transformation resulting from an 'unmooring' of women, men, and children from the nuclear family, gender relations having replaced economic relations as the primary site of ...
8
The
Postfeminist Biopic: Narrating the Lives of Plath, ...
I hope to show the multifaceted meanings present in these individual films as
strategies of the postfeminist biopic. The danger of such an approach, particularly
within genre studies, is that the set of examples may seem rather limited. How
can ...
9
Postfeminist Gothic: Critical Interventions in Contemporary ...
This edited collection of original essays examines a number of Gothic texts, from Anne Radcliffe's romances to modern horror films, in conjunction with diverse postfeminist theories, from backlash to postmodern feminism.
Benjamin A. Brabon, Stéphanie Genz,
2007
10
As Easy as Pie: Housework, Temporality, and
Postfeminist ...
In an era in which women are expected to "have it all" by balancing public and private sphere responsibilities, the media increasingly define femininity in terms that are uniquely temporal.
Elizabeth Nathanson,
2008
BABAGAN WARTA KANG NGLEBOKAKÉ ARAN «POSTFEMINIST»
Weruhi yèn pawarta nasional lan internasional wis ngomongaké lan kepriyé aran
postfeminist digunakaké ing babagan warta iki.
Can 'Trainwreck' Help Save The Romantic Comedy?
And yet, I hate that rejecting the postfeminist dystopia involves reverting to finding a guy. In her essay for Buzzfeed, Anne Helen Petersen read ... «Huffington Post, Jul 15»
Daily Reads: 'Trainwreck's Anti-Postfeminism, How 'Ant-Man …
What distinguishes "Trainwreck" from other postfeminist dystopias, then, is the way that it offers Amy a narrative path away from it. That path ... «Indie Wire, Jul 15»
"Trainwreck" Is A Romantic Comedy For People Who Hate Romantic …
Amy Schumer might not have set out to make a movie that was feminist or postfeminist. She might have just wanted to make a movie that turned ... «The Frisky, Jul 15»
Real women, real issues abound this summer
... film and media studies at Emory University and the author of American Postfeminist Cinema: Women, Romance and Contemporary Culture. «USA TODAY, Jul 15»
Weekly gossip dump: 'Trainwreck' a hit, Fey & Poehler at it again
Schumer turns the cliche Apatow film into something less predictable with her "deliriously dirty postfeminist brand of feminism," EW writes. «SILive.com, Jul 15»
Trainwreck: EW review
Now she's parlaying her deliriously dirty postfeminist brand of feminism into a bid for movie stardom in Judd Apatow's new comedy, Trainwreck. «Entertainment Weekly, Jul 15»
The Sneaky Power of Amy Schumer, in 'Trainwreck' and Elsewhere
... of women,” said Ms. Schreiber, the professor and author of “American Postfeminist Cinema: Women, Romance and Contemporary Culture.”. «New York Times, Jul 15»
Jessica Ford
Feminist and Postfeminist Discourses: Reading the Britta Problem, A Sense of Community: Essays on the Television Series & its Fandom. «The Conversation AU, Jun 15»
CBS's Supergirl Announces Official Premiere Date
... Kara Danvers, and the tone seemed sufficiently lighthearted and self-aware, but it also left a bad postfeminist taste in our mouths (not helped ... «Outer Places, Jun 15»
Let the Face Speak for Itself: Hard Features in 'The White Buffalo'
... that distinguishes her from a Claudette Colbert or Myrna Loy and that rebuts our present syndrome of painted postfeminist affectation. «PopMatters, Mei 15»