BUKU BASA MALAYSIA KAKAIT KARO «VIBRATO»
Temukaké kagunané saka
vibrato ing pilihan bibliografi iki. Buku kang kakait dening
vibrato lan pethikan cekak kang padha kanggo nyediyakaké panggunané ing sastra Basa Malaysia.
(Based on conf. Utrecht The Netherlands 8/93) Acoustic & psychoacoustic aspects of vocal vibrato/Caruso's vibrato/etc
Philippe H. Dejonckere, Minoru Hirano, Johan Sundberg, 1995
2
The Art of Bassoon Playing - Halaman 52
The Vibrato The fourth factor in producing a beautiful, singing tone on the bassoon is the development of an appropriate vibrato. In spite of the fact that there are still some teachers who insist that vibrato cannot be taught or refuse to discuss it ...
William Spencer, Frederick Mueller, 1969
3
A New History of Violin Playing: The Vibrato and Lambert ...
Contains very useful graphs of all the main schools, for an easy understanding of their evolution. Contains an encyclopaedia of all terms and names of the book that are not sufficently explained in it.
4
The Art of Cello Playing: A Complete Textbook-method for ...
The fourth position, with the thumbat the crook of the neck of the cello, provides a natural and advantageous location in which to begin the use of vibrato, to add color and maturity to the tone. The cello vibrato is a bouncing, somewhat rotary ...
5
The Harvard Dictionary of Music - Halaman 946
Vibrato [It., from Lat. vibrare, to shake]. A slight fluctuation of pitch used by performers to enrich or intensify the sound. In modern string playing, vibrato is produced by rocking the left hand, usually from the wrist, as a note is played; in modern ...
6
Sing!: Vocal Technique, Vocal Style - Halaman 44
(Singing Techniques CD, Track 16) Vibrato is a tool of expression. Vibrato not only enhances the sustained tone, but can be used as a means of expressing the various emotions associated with a word or phrase. As we study vibrato, we begin ...
7
The Flute Book: A Complete Guide for Students and ...
To summarize the interrelationship of the three forms of vibrato: when airstream velocity increases, the tone becomes louder; the pitch becomes higher; the overtone quotient increases; and so the color becomes brighter. Conversely, when the ...
8
The Art and Science of String Performance - Halaman 68
Q. In what position do you start the arm vibrato? A. In the first position so that the heel of hand does not touch the instrument. Q. When you use the arm vibrato, do you still vibrate only below the note? A. Yes, only below the note, but this does ...
Samuel Applebaum, Thomas Lindsay, 2005
9
Terminal Vibrato: Short Stories
The stories are precisely crafted reflections on many different themes: love and loss ("Preface to Something Important," "Independence," "Crying"), exploration and discovery ("Voyage to a New World," "Homage to Swega Tagabodu"), failure of ...
10
Find Your Voice - Halaman 76
Rock and pop singers generally do not use masses of vibrato in their singing. Some do, but the sound is usually a lot drier than that of the classical singer. Rock and pop delivery or style is more 'conversational' and direct. There are, in effect, ...
Jo Thompson, Nigel Nelson, 2004
