BUKU BASA POLANDIA KAKAIT KARO «PUNTA D ARCO»
Temukaké kagunané saka
punta d arco ing pilihan bibliografi iki. Buku kang kakait dening
punta d arco lan pethikan cekak kang padha kanggo nyediyakaké panggunané ing sastra Basa Polandia.
1
The Early Violin and Viola: A Practical Guide - Strona 79
Claiming that col punto d'arco commonly indicated the use of the more 'serious and characterful' marteU bowing in moderate tempos, Joachim and Moser accede to the use of spiccato strokes 'produced close to the nut of the bow' only in ...
2
Classical and Romantic Performing Practice 1750-1900 - Strona 263
In contexts where this sort of specially distinct but light bowstroke was required composers occasionally gave the instruction punta d'arco'," or some similar expression, apparently to obtain a lighter stroke than the ordinary detached stroke in ...
3
A Dictionary for the Modern Conductor - Strona 79
Also en la punta del arco, at the point of the bow. (Fr. avec la pointe de l'archet, à la pointe; Ger. mit der Bogenspitze, an der Bogensptize, an der Spitze; It. con la punta d'arco, alla punta d'arco.) con la punta d'arco. (It.) a bowing term that ...
Emily Freeman Brown, 2015
4
The firebird: original 1910 version - Strona 14
Arpal Arpa II Arpa 111 m' 9 mal-1 . tremolo v'nl I #0 a unta d'arco o tremolo o a punta d'arco P trem lo V'IIÌ II 0 apulazad'arco 0 P o tremolo a punta d' arco ° tremolo , a puntad arco v_ le \ tremolo a punta d'arco tremolo , a. punto ci are t l ho ...
5
The Firebird in Full Score (Original 1910 Version) - Strona 14
Arpal Arpa II Arpa 111 m' 9 mal-1 . tremolo v'nl I #0 a unta d'arco o tremolo o a punta d'arco P trem lo V'IIÌ II 0 apulazad'arco 0 P o tremolo a punta d' arco ° tremolo , a puntad arco v_ le \ tremolo a punta d'arco tremolo , a. punto ci are t l ho ...
6
Classical and Romantic Music - Strona 359
He later adds that 'the punto d'arco can most easily be made with the up-bow from the point of the bow up to the middle." As his music example confirms, he is referring to the staccato in a single bowstroke at a moderate tempo, which other ...
7
Methodischer Leitfaden Für Den Gesangunterricht in Volkschulen: Bd. ...
Accompagnamento, Begleitung; basso d'accompagnamento, begleitender Baß; parti d'accompagnamento, begleitende Stimmen. ... Art. 3 punta d'arco, oder richtiger: punta dell'arco, Bogenspitze; arcáta, Bogenstrich 5 contr'arco, Gegenstrich, ...
8
The Roberto Gerhard Companion - Strona 297
H H PP- - limit 0 VIOLIN I - - - imit () (div, by desks) ---- limit ( limit 0 a punta d'arco Čt Co. Co. * 3 d'arco * 3. VIOLIN II (div by desks) *:: b': 3 p- O. f. a punta d' . to the VIOLA div. a 2 liss, to the limit liss. to upper limit of string violoscillo gliss. to the ...
Monty Adkins, Michael Russ, 2016
9
Audio Production Tips: Getting the Sound Right at the Source
Détaché passages are usually played with the middle section of the bow. Two variations of détaché are commonly found: a punta d'arco and al tallone: A punta d'arco uses the tip of the bow and gives the passage a lighter feel. Al tallone uses ...
10
Instrumental Teaching in Nineteenth-Century Britain - Strona 181
Following Jousse's example Keith (Chron., 1813: 8) includes the slurred staccato and the 'Punta D'Arco', which requires a firm articulation at the point. The punta d'arco' of Challoner (Chron., 1825: 15) and Hack (Chron., 1835: 33) is also to be ...
