BUKU BASA POLANDIA KAKAIT KARO «STAZEWSKI»
Temukaké kagunané saka
stazewski ing pilihan bibliografi iki. Buku kang kakait dening
stazewski lan pethikan cekak kang padha kanggo nyediyakaké panggunané ing sastra Basa Polandia.
1
Regarding the Popular: Modernism, the Avant-Garde and High and Low ...
Towards the end of the 1950s, Abakanowicz met some avant-garde artists from the circle of Henryk StaZewski and Maria Ewa LunkiewiczRogoyska, with whom (especially the latter) she became friends. From that point on she would be a ...
Sascha Bru, Laurence Nuijs, Benedikt Hjartarson,
2012
2
Art beyond Borders: Artistic Exchange in Communist Europe (1945–1989
Stazewski, represent the widest possible range of the Polish visual art character. Whereas Witkiewicz is the personification of Polish Expressionism, Stazewski represents the extraordinary development of Polish Constructivism, linked to the ...
Jerome Bazin, Pascal Dubourg Glatigny, Piotr Piotrowski,
2016
3
Mozaika. Śladami Rechowiczów
Jak Edward Krasiński i Henryk Stażewski jest zaangażowany, nie będąc zaangażowanym. Takie alibi wydaje się podejrzane i bardzo artystowskie, ale cytowany wyżej historyk sztuki podkreśla, że w kontekście PRL-u „wołanie o prawo do ...
4
Kapitał społeczny wsi pomorskiej: - - Strona 43
111 i n.; M. Stażewski, Rzesza wobec migracji po I wojnie światowej – niektóre aspekty napływu niemieckich imigrantów z ziem byłego zaboru pruskiego, [w:] tamże, s. 93 i n.; M. Stażewski, Exodus. Migracja ludności niemieckiej z Pomorza do ...
Knieć Wojciech, Goszczyński Wojciech, Obracht-Prondzyński Cezary,
2013
5
Contemporary Art: 1989 to the Present
Instead,oneneeds to look very closely athowthe worksof Stażewski and Krasiński converse with eachother. Stażewski was undogmatic inhis painterly abstractions; Krasiński in turn evoked a sense of total formalist rigor at first glance that ...
Alexander Dumbadze, Suzanne Hudson,
2012
6
Divided Dreamworlds?: The Cultural Cold War in East and West
This manoeuvring positioned New York on the transnational axis of Poland's stylistic sources. The eldest and best-established artists chosen were Piotr Potworowski and Henryk Stazewski. Stazewski was part of the old guard of non-objective, ...
Peter Romijn, Giles Scott-Smith, Joes Segal,
2012
7
The Oxford Critical and Cultural History of Modernist Magazines: ...
This featured, amongst other items, Szczuka's article in French, 'Le mouvement artistique en Pologne', and reproductions ofworks by Stazewski and Zarnower. Blok advertised the one hundreth number of7Arts and published the essay 'Slowo ...
8
National Style and Nation-state: Design in Poland from the ...
23 The founding members of Praesens were B. Elkouken, J. Golus, K. Kobro, K. Krynski, B. Lachert, J. Malinowski, M. Nicz-Borowiak, A. Rafałowski, H. Stażewski, S. Syrkus, J. Szanajca and S. Zalewski. 24 S. Syrkus, 'Preliminarz architektury' ...
9
Dramaturgy and Architecture: Theatre, Utopia and the Built Environment
Tensions in the group resulted from different views on utilitarianism, with Strzemiński, Kobro and Stażewski defending the autonomy of art, against Szczuka's instrumentalisation of it. When Blok broke up in 1926, some of its members, including ...
BABAGAN WARTA KANG NGLEBOKAKÉ ARAN «STAZEWSKI»
Weruhi yèn pawarta nasional lan internasional wis ngomongaké lan kepriyé aran
stazewski digunakaké ing babagan warta iki.
Avant-Garde Time Capsule in Polish Apartment
118 that two of the country's most influential 20th-century avant-garde artists — Henryk Stazewski (1894-1988) and Edward Krasinski (1925-2004) — lived and ... «New York Times, Nov 10»