ETIMOLOGI SAKA TEMBUNG VĂDÍ
vădí (-désc, -ít), vb. –
1. A acuza, a inculpa. –
2. A denunța, a pîrî, a indica. –
3. A publica, a pune în evidență, a demonstra. –
Var. vedi. Sl. vaditi „a acuza” (Miklosich,
Slaw. Elem., 16; Cihac, II, 442; Conev 101). Primul sens este
înv. –
Der. vădit, adj. (evident);
vadnic, adj. (acuzator),
înv.;
văditor, adj. (acuzator; indicator).
Cf. vădeală.
APA TEGESÉ VĂDÍ ING BASA ROMAWI?
Definisi saka vădí ing bausastra Basa Romawi
ndeleng vb., ind. Saiki 1 sg lan 3 pl. vadésc, imperf. 3 sg. pres., 3 sg lan pl. kongsi
BUKU BASA ROMAWI KAKAIT KARO «VĂDÍ»
Temukaké kagunané saka
vădí ing pilihan bibliografi iki. Buku kang kakait dening
vădí lan pethikan cekak kang padha kanggo nyediyakaké panggunané ing sastra Basa Romawi.
1
Veni Vadi Vici: A transcription, translation and ...
For instance, where Vadi shows defences against a backhand dagger strike, the plays follow thesame order as in the Getty, whichis different to the Pisani Dossi. It is entirely possiblethat Vadi saw aversion that is lost to modern scholars.
2
Public Health in International Investment Law and Arbitration
This book contributes to the current understanding of international investment law and arbitration, addressing the fundamental question of whether public health has and/or should have any relevance in contemporary international investment ...
3
Indian Music - Pagina 15
The entire raga is so oriented that all movements tend to gravitate towards this note, called the vadi. Vadi means 'that which sounds'; in other words, it is that which dominates; and hence it is also known as the 'king' of the raga. The note is not ...
Bigamudre Chaitanya Deva,
1995
4
Arte Gladiatoria Dimicandi: 15th Century Swordsmanship of ...
Master Fillipo Vadi's work, previously overlooked and underestimated by fencing scholars, presents the student of historical swordsmanship or of miltiary history a fresh, stunningly beautiful look into the mind of an Italian fencing master ...
Filippo Vadi, Luca Porzio, Gregory Mele,
2010
5
The Rāgs of North Indian Music: Their Structure and Evolution
IMPORTANT NOTES In every rag two notes, in theory, are given greater importance than the VADi others. These notes are called vadi — sonant, and samvadi — consonant. SAMVADI According to Bhatkhande the prime character of a rag ...
Nazir Ali Jairazbhoy,
1995
6
A Grammar of the Norman French of the Channel Islands: The ...
vadrO vadrO aorist 1. vadi vadi 2. vadi vadi 3. vadi vadit 4. vadim vadem 5. vadi:dr vadi:dr 6. vadi:dr vadi:dr 1. vad vad 2. vad vad 3. vad vad 4. vadjO vadjO 5. vadje vadje 6. vad vad imperfect subjunctive I. vadi:s vadi:s 2. vadi:s vadi:s 3. vadi:s ...
7
Fire Tongue - Pagina 202
“But to return to Vâdi, my Brahmin guide. We had camped for the night in the shadow of one of those giant tors which I have mentioned. The bearers were seated around their fire at some little distance from us, and Vâdi and I were consulting ...
8
Bhatkhande's Contribution to Music: A Historical Perspective
Their singing time is the 1st part of the night and the vadi swara is placed in purvanga. (C-II, and D) Position of Vadi Swara as the Time Indicator and Purvanga and Uttaranga After classifying the ragas and their time schedule according to the ...
9
Vādī-yi Hākṛah aur us ke ās̲ār
udy of the Hakra Valley, part of the Indus civilization.
10
Vādī-yi Liyārī: tārīk̲h̲ī dastāvez
Historical and geographical study of Layāri valley in Karachi; collection of articles.