BUKU BASA TURKI KAKAIT KARO «IRAMA»
Temukaké kagunané saka
ırama ing pilihan bibliografi iki. Buku kang kakait dening
ırama lan pethikan cekak kang padha kanggo nyediyakaké panggunané ing sastra Basa Turki.
1
Traditions of Gamelan Music in Java: Musical Pluralism and ... - Sayfa 64
Tempo and treatment Melodic phrases expand and contract in both traditions through the same process of subdivision (irama level). Solonese and Yogyanese use different terms, but both identify five levels, defined by ratio between the ...
2
Focus: Gamelan Music of Indonesia - Sayfa 259
After a few repetitions of the kebar treatment, the drummer signals a transition back to irama II. The end of kebar doesn't occur until after the gong stroke, however. Once back in irama II, the drummer continues to slow down, which lets the ...
3
Worlds of Music: An Introduction to the Music of the ... - Sayfa 228
This ratio defines one of five possible levels of balungan subdivision known as irama (ee-raw- maw) levels. If the tempo had slowed sufficiently (as we will see in the next piece), the bonang barung would have doubled its ratio with the ...
Jeff Titon, Timothy Cooley, David Locke, 2009
4
Analytical Studies in World Music : includes CD: includes CD
irama IV (also called irama rangkep, meaning “double density”) is realized at a ratio of : , with one beat of main melody represented by a double whole note. Irama III and IV appear only during the last two cycles, as described later.
Michael Tenzer Professor of Music University of British Columbia, 2006
5
Analytical Studies in World Music: Includes CD - Sayfa 252
irama IV (also called irama rangkep, meaning “double density”) is realized at a ratio of : , with one beat of main melody represented by a double whole note. Irama III and IV appear only during the last two cycles, as described later.
6
Articles on Sundanese Culture, Including: Sundanese ...
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online.
7
Dance of Life: Popular Music and Politics in Southeast Asia - Sayfa 94
Rhoma Irama and the Dangdut Challenge The major challenge to the popularity of pop Indonesia as a national form has come from dangdut, a media-generated, aeculturated modern music, which appeared on the Indonesian popular music ...
8
Encyclopedia of Time - Sayfa 414
Combined, these time markers create subtle tonal rhythms underlying musical compositions. IRAMA Another time scheme manifests itself in the concept of irama. At the first level of specificity, irama means tempo or, sometimes, rhythm.
9
Gamelan: The Traditional Sounds of Indonesia - 1. cilt - Sayfa 326
The musicians play one complete cycle of “Pangkur” in irama III; at the appropriate moment during the second cycle of irama III, the drummer signals a transition to yet another rhythmic treatment: irama rangkep. In irama rangkep, the balungan ...
10
Malaysia, Singapore & Brunei. Ediz. Inglese - Sayfa 329
A taxi costs RM20. PANTAI IRAMA Pantai Irama (Beach of Melody) at Bachokhas landscaped gardens along the foreshore and is popular with day-trippers. It's one of the best beaches around Kota Bharu but swimming here during, or just after, ...
Simon Richmond, Damian Harper, 2006
