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힌디어 사전에서 «माँम» 의
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힌디어 사전에서 माँम 의 정의
엄마 비브 칸 [질문 번호 (= 행동), D? 전사 A.- Rukka dhatakan mota kamam mam .- Rs. 0, Rs. Page 137 माँम ‡ वि० [सं० मामला (=लड़ाई), डिं०?]
युद्ध करनेवाला ।
उ०— रूके आटा रक्खणा मोटा कामाँ माँम ।— रा० रू०,
पृ० १३७ ।
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«माँम» 관련 힌디어 책
다음 도서 목록 항목에서
माँम 의 용법을 확인하세요.
माँम 에 관련된 책과 해당 책의 짧은 발췌문을 통해 힌디어 서적에서 단어가 사용되는 맥락을 제공합니다.
अब वहॉ कुछ वरना संभव न हो सकने से अनूप ने अपनी माँ से कहा, ""माँम, तुम्ही बताओ कि तुम्हारे देते को शक्तिशाली होना चाहिए या वीकलिग 2" इस स्कूल में दाखिल होने के बाद से वह अपनी माँ ...
2
Masculinity and Italian Cinema: Sexual Politics, Social ... - Page 83
Every time Mimì recognises a member of the Tricarico family (the mafiosi) and bows to them, the camera signals the power relation through his recognition of the distinctive three moles on their faces and by showing the asymmetric visual ...
(Rodolfo, Mimì) 56 Che gelida manina (Rodolfo) 64 Mi chiamano Mimì (Mimì) 70 Ehi! Rodolfo! (Schaunard, others) 76 O soave fanciulla (Rodolfo) 79 SECOND ACT-In the Latin Qudrter, Christmas Eve / 87 Aranci, datteri! (Street hawkers) 87 ...
4
Understanding Italian Opera - Page 237
dies The “missing” act of La Bohème means that we lose a significant part of the Rodolfo-Mimì story (how she takes up with the viscount), and there are only brief references in the final act of the opera to make up for it. At some point, however, ...
5
What to Listen For in Opera: An Introductory Handbook - Page 30
Colline, the philosopher, has just learned that Mimì needs medicine. He has decided to sell his coat to raise money for Mimì's weak condition. Before he parts with his coat, he sings a short and touching aria out of praise and respect for his coat ...
6
The World's Greatest Operas - Page 133
Quartet: Mimì, Rodolfo, Musetta, Marcello: “Addio dolce svegliare alla mattina! – Goodbye, sweet awakening in the morning!" Act IV is set back in the garret. Marcello and Rodolfo are seemingly at work, though they are primarily bemoaning the ...
www.DiscoverClassicalMusic.co.uk, 2010
7
Fashions and Legacies of Nineteenth-Century Italian Opera - Page 231
To conclude, let us now turn to Stanislavsky's conception of Mimì, the character on whom he lavished the most attention. His Mimì is shy, timid, innocent, guileless, helpless, and, in some ways, infantilized. Like Murger's Francine, Stanislavsky's ...
Roberta Montemorra Marvin, Hilary Poriss, 2010
8
A Dictionary of Opera Characters - Page 255
255 Romeo join the others and Rodolfo buys Mimì a pink bonnet. Marcello's old love Musetta soonjoins them. However, Rodolfo's jealousy and worry about Mimì's health cause many problems, and they decide they will be better apart. Months ...
9
Great Operas: A Guide to Twenty-Five of the World's Finest ... - Page 159
Act 4 The garret in Paris The orchestra takes us straight back to the original garret, where Marcello and Rodolfo pretend to work, but talk of Musetta and Mimì. Schaunard and Colline appear with some bread and a herring. They fool around ...
10
The Potter's Field: The Inspector Montalbano Mysteries -
Reaching into his pocket, he dug out Mimì's letter, which he had brought with him to show Ingrid, later changing his mind. He didn't reread it, but only stared at the envelope, thinking. Why had Mimì had Galluzzo copy a letter so personal and ...
