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메이크업 pu 명사 [0] 카테고리 0 '메이크업' U- 그레이트 솔루션 스트랩 메이크업 육상 함대 -Ha Raso, p133 सृंगार पु संज्ञा पुं० [सं० श्रृंङ्गार] दे०
'श्रृंगार' । उ०—महा सुघट्ट
पट्टियं । सृंगार भूमि फट्टियं ।—ह० रासो, पृ० १३३ ।
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«सृंगार» 관련 힌디어 책
다음 도서 목록 항목에서
सृंगार 의 용법을 확인하세요.
सृंगार 에 관련된 책과 해당 책의 짧은 발췌문을 통해 힌디어 서적에서 단어가 사용되는 맥락을 제공합니다.
1
The Sacred and the Feminine: Imagination and Sexual Difference
An excess of one is said to lead to the other, and they are paired in the following manner: Love /Humour [Sringara/ Hasy a) Valour/Wonder (Vira/ Adbhuta) Anger/Sorrow (Raudra / Karund) Disgust/ Fear (Bibhasta/ Bhayanakd) By transferring ...
Griselda Pollock, Victoria Turvey-Sauron, 2007
2
Tending the Heart Fire: Living in Flow with the Pulse of Life
These naturally arising movements of sringara trigger a response in heart rhythmbrainwave flow that stimulates theslower heartrate rhythms and the flow of hormonesof love—oxytocin, seratonin, dopamine, and endorphins. Ifyou are not ...
3
Bhavabhūti: His Date, Life, and Works - Page 281
Some scholars take the main sentiment in the present play to be not Karuna (Pathos), but Vipralambha-Sringara (Love in separation) or Karuna-Vipralambha (combination of Pathos and Love in separation).1 But though grief is a common ...
Vasudev Vishnu Mirashi, 1996
4
Indian Poetics - Page 82
See V. Raghavan: Bhoja's Sringara Prakasa, Vol. 1, p. I.. This thesis is the main source for all that is said about Sringaraprakasa in our work. Sringaraprakasa is not completely printed. (Even V. Raghavan's thesis is not fully printed only two ...
T. Nanjundaiya Sreekantaiya, 2001
5
At Home in the World: Bharata Natyam on the Global Stage - Page 88
In performance, she favored Tamil and Telugu items of repertoire and celebrated their tradition of sringara bhakti. She privileged the maintenance of this oral tradition over the reconstruction of material from Sanskrit aesthetic theory (1991: 12), ...
6
The Art of Mohiniyāttam - Page 71
Seeing her Lord Shiva, Devi is full of love and amorous desire, and becomes Sringara personified. All men other than her Lord, are contemptuous to her, thus idealizing the chastity and purity of Indian womanhood. She is envious of Ganga, ...
Bharati Shivaji, Avinash Pasricha, 1986
7
Balasaraswati: Her Art and Life - Page 102
The theme of Sringara exists in Indian sculpture, painting, poetry, music, and dance, and pervasively in Hindu philosophy and cosmology. Sringara is an ancient concept that permeates the aesthetics of the Indian consciousness, and it is this ...
8
Culture India - Page 169
To begin with-there is Sringara or the sentiment of love. In the Rigveda we have some lyrics, ballad and dramatic fragments that develop this sentiment. The sentiment of Sringara requires primarily an alambana vibhava and an uddipana ...
Mahendra Kulasrestha, 2006
9
The Natyasastra and the Body in Performance: Essays on ...
Sringara carries a lightervein of humour alongwith it.Hasya (humour) is conduciveto sringara. Therefore, Hasya (humour) is the second rasa [Rai 1992: 94]. According toTarlekar, Abhinavagupta further comments that laughteris produced from ...
10
Women's Lives, Women's Rituals in the Hindu Tradition - Page 191
After all, our composers have been steeped in the tradition of bhakti.9 While both dancers spoke of dance as a religious exercise, Balasaraswati is credited with the saying that sringara is the highest form of expression in Bharata Natyam ...
Director of the Asian Studies Program Loyola University of Chicago Tracy Pintchman Associate Professor of Hindu Studies and Religious Studies, 2007
