«GAMAKA» 관련 말레이어 책
다음 도서 목록 항목에서
gamaka 의 용법을 확인하세요.
gamaka 에 관련된 책과 해당 책의 짧은 발췌문을 통해 말레이어 서적에서 단어가 사용되는 맥락을 제공합니다.
1
The Dictionary of Hindustani Classical Music - Halaman 35
Gamaka It is an important variety of Sabdalamkara (vide Alarhkara). A very wide scope is given to it in the Sastras. Though various Alarhkaras fall under this category, the present practice has been to limit it to a particular variety of Alarhkara ...
Vimalakānta Rôya Caudhurī, 2000
There is also an obvious, and unnecessary, emphasis at the two end points of a gamaka movement, which sounds artificial. When sung or heard on the vina or violin, the gamaka is both smooth and rounded, without unnecessary pressure at ...
3
Music Contexts: A Concise Dictionary of Hindustani Music
2.33 Gamaka (H S gam = to go, one who is going/moving) This is a term with a wide-ranging connotation. In effect it points to an important group of melodic embellishments in vocal and/or instrumental music. The core meaning of gamaka is ...
Ashok Damodar Ranade, 2006
4
Dattilam: A Compendium of Ancient Indian Music - Halaman 315
The term gamaka is defined ParsSS. 1, 47: svairutisthdnasam- bhittdm chdydtn irutyantardiraydm \ svaro yad (!) gamayed gite gamako 'sau nirupitah ||, "The note which, in a song, attains a shade (chdyd), which being produced on the place of ...
5
Facets of notation in South Indian music - Halaman 63
reflects this association of ours with gamaka-s being predominantly movements of pitch i.e., shakes. It is minimally that we think of gamaka-s in terms of duration of dynamics. We credit gamaka-s with being the source of beauty in music.
6
Encyclopaedia of Indian Literature - Jilid 2 - Halaman 1342
The art of effective recitation of poetry, which is gamaka, has to achieve a happy compromise between the two. That is the gist of what poets like Kumaravyasa and Laksmisha expected this artist to do. There have been many who recited ...
7
A History of Indian Philosophy:
389 absence of the gamaka or vyâpya, should also be noted, for a knowledge of such a negative relation is not indispensable for the forming of the notion of the permanent relation [Footnote ref 1]. The experience of a large number of ...
Surendranath Dasgupta, 2015
8
The Rāgas of Somanātha: Musical exemples. Part 2 - Halaman 2
Somanatha's vikarsa, dolana, gamaka and kampa are comparable to the four types of the modern Karnatak vibrato (kampita), viz. vikarsa with a single detlection of the string (i.e. pulling the string sidewards) away from the vina fret, dolana with ...
9
A Kannada-English Dictionary - Halaman 528
2, flighti- ness, superficiality, thoughtlessness; acting inconsiderately; inconsiderateness, rashness; (loftiness). gamaka. Making clear or intelligible, leading to conviction) an evidence. 2, the being uninterruptive in course or joining what follows ...
10
Diga gamaka keṭi saṭahan
Brief autobiography of N.T. Karunathilaka, b. 1927, Sinhalese writer.
N. T. Karunathilaka, 1992
