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Having met in the late 1920s in Germany, Walter Benjamin and Bertolt Brecht--both independently minded Marxists with a deep understanding of and passionate commitment to the emancipatory potential of cultural practices--discussed, argued, ...
This Companion offers students crucial guidance on Brecht's theatrical career from beginning to end, bringing together the contrasting views of major critics and active practitioners to offer a provocative overview.
Peter Thomson, Glendyr Sacks, 1994
Jameson sees this text as key to understanding Brecht's critical reflections on dialectics and his orientally informed fascination with flow and flux, change and the non-eternal. For Jameson, Brecht is not prescriptive but performative.
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The Cambridge Companion to Brecht
It brings together the contrasting views of major critics and active practitioners, and this edition introduces more voices and themes.
Peter Thomson, Glendyr Sacks, 2006
Intended to move beyond the ideological considerations that have informed so much secondary literature about Brecht, the book is a cross-disciplinary reassessment of important aspects of his work.
James K. Lyon, Hans-Peter Breuer, 1995
Dramatizes Galileo's conflict with the church over his assertion that the Earth revolves around the sun.
Bertolt Brecht, Eric Bentley, 1966
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After Brecht: British Epic Theater
How contemporary British political theater has evolved and expanded from the legacy of Bertolt Brecht This is the first book to fully explore contemporary British drama in light of the tremendous influence of German playwright Bertolt ...
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Bertolt Brecht: Journals 1934-1955
Bertolt Brecht's work journals trace his years of exile (the period from 1934 to 1955) in Denmark, Sweden, Finland, and America, as well as his return, via Switzerland, to East Berlin.
Bertolt Brecht, John Willett, 1995
Ronald Gray explores the dramatist's interacting roles as a committed Marxist and an innovative craftsman.
Contains the texts of: The Brecht commentaries (1987) and The Brecht memoir (1990).
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Barbara Brecht-Schall, Bertolt Brecht's daughter, dies at 84
Brecht-Schall was an actress with the Berliner Ensemble theater founded by her father from 1951 to 1972. She also was the administrator of his estate. «Yahoo News UK, 9월 15»
Stanford Repertory Theater explores the ethics of science with …
German playwright Bertolt Brecht is considered to be one of the most influential figures in 20th-century theatre. Like so many of Brecht's plays, the themes in Life ... «Stanford University News, 5월 15»
Mother Courage and Her Children review – Brecht as epitaph for …
But the production problematically attempts to rehabilitate Bertolt Brecht's cold, criminal pragmatist as a sentimental,folksy heroine, presenting Mother Courage ... «The Guardian, 5월 15»
Weill and Brecht's Rise And Fall Of The City Of Mahagonny: Opera …
WEILL and Brecht's agit-prop satire on corruption and greed, banned by the Nazis in 1933, still carries a powerful charge. John Fulljames's staging of Rise And ... «Express.co.uk, 3월 15»
Brecht's big day drops Lady Governors into seventh-place game
Brecht's big day drops Lady Governors into seventh-place game .... but junior guard Cody Ryckman picked Brecht's pocket and fed Mullen for an easy layup. «The Capital Journal, 3월 15»
Review: 'Mahagonny,' Brecht and Weill's Dark Satire, Opens at …
This includes the Kurt Weill/Bertolt Brecht collaboration “Rise and Fall of the City of Mahagonny,” which opened on Tuesday in a new staging by John Fulljames ... «New York Times, 3월 15»
Mahagonny: the opera that Hitler hated
Does it belong in an opera house? And if not, where should it go? These are the twinned questions confronted by anyone addressing Bertolt Brecht and Kurt ... «Telegraph.co.uk, 3월 15»
The Caucasian Chalk Circle, Royal Lyceum, review: 'a triumph'
The result is a Chalk Circle which makes an unarguable case for the continued relevance both of Brecht's theatrical aesthetics and his allegorical subject matter. «Telegraph.co.uk, 2월 15»
Pamela Katz's 'The Partnership,' on Weill and Brecht
Rehearsals for Kurt Weill and Bertolt Brecht's “The Threepenny Opera” ended near dawn on Aug. 31, 1928, the day of its premiere. They had not gone well. «New York Times, 1월 15»
Nastąpi demontaż człowieka. Nowe odczytanie piosenek Bertolta …
Akcja została umieszczona w muzeum Bertolta Brechta, przewodnikiem po nim jest tajemnicza postać. Z offu niemieckojęzyczni widzowie są przepraszani, gdyż ... «BiałystokOnline.pl, 11월 14»
