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1
Jean-Luc Godard: Interviews
This book presents a varied selection of his conversations with critics, scholars, and journalists, spanning the 1960s to the 1990s and illuminating key facets of his life, work, and ideas.
Jean Luc Godard, David Sterritt,
1998
Illustrating again how economic growth in urban areas rarely translates into a decrease in rural poverty, this volume identifies the impact of recent changes in the national economy on the rural poor, the interaction between the ...
Kaja Silverman, Harun Farocki,
1998
This volume offers a new interpretation of one of the most innovative directors in the history of cinema.
4
The Films of Jean-Luc Godard
In this book, Wheeler Winston Dixon offers an overview of all of Godard's work as a filmmaker, including his work for television and his ethnographic work in Africa.
5
Godard on Godard: Critical Writings by Jean-Luc Godard
A collection of essays and interviews reflecting on Jean-Luc Godard and a vital stage of his career, from 1950 to 1967 --Back cover.
6
The Films of Jean-Luc Godard: Seeing the Invisible
The Films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema.
7
The Cinema Alone: Essays on the Work of Jean-Luc Godard, ...
This volume of essays constitutes a comprehensive and interdisciplinary engagement with Jean-Luc Godard's current film and video work.
Michael Temple, James S. Williams,
2000
This volume also features, for the first time in English, the complete and accurate continuity script of Breathless, together with Francois Truffaut's surprisingly detailed original treatment.
Jean Luc Godard, Dudley Andrew,
1987
9
Late Godard and the Possibilities of Cinema
In using the tradition of aesthetics to illuminate Godard's late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema.
10
The Radical Faces of Godard and Bertolucci - Strona 15
Clementi was a favorite actor of both Pasolini and Godard, Bertolucci's first "fathers." In Before the Revolution and Partner, the assimilation of Godard's style and spirit is not charged with any of the ambivalence that characterizes Bertolucci's ...
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This guy just raised $48 million after selling his last company for …
That's what Godard Abel is doing with his startup Steelbrick, a company that offers quote-to-cash technology that makes it easier for sales people to put together ... «Business Insider, 10월 15»
Alphaville, Godard i nowofalowa fantastyka 50 lat później
Jean-Luc Godard nie był jednak kolejnym pospolitym twórcą kopiującym bezmyślnie pomysły innych, lecz filmowym intelektualistą i prawdziwym artystą, który w ... «Onet.pl, 4월 15»
'Goodbye to Language' is Jean-Luc Godard in 3-D. 'Nuff said.
Giving Jean-Luc Godard a 3-D camera is like putting Igor Stravinsky in a DJ booth or sitting Pablo Picasso down in front of a computer running Photoshop: ... «Boston Globe, 3월 15»
Godard still follows his own experimental path
The startling three-dimensional effects in Jean-Luc Godard's latest film “Adieu au langage” (Goodbye to language) are the work of Fabrice Aragno, who spoke to ... «swissinfo.ch, 3월 15»
Michel Godard – improwizacje na tubę i serpent
A jakby i tego było mało, Michel Godard gra jeszcze na serpencie. W najbliższym wydaniu Rozmów Improwizowanych opowie między innymi o tym, dlaczego ... «Polskie Radio, 2월 15»
Godard's Surprise Win Is a Victory for Independent Cinema
On Saturday, the National Society of Film Critics, of which I'm a member, bestowed the award for Best Picture of 2014 upon Jean-Luc Godard's “Goodbye to ... «The New Yorker, 1월 15»
Cleveland to get rare screenings of Jean-Luc Godard's 3D 'Goodbye …
Jean-Luc Godard's latest film waves "Goodbye to Language" by trying to create a different language for cinema -- one that uses 3D technology and sound in new ... «The Plain Dealer - cleveland.com, 11월 14»
Tree! Fire! Water! Godard!
A single viewing of Jean-Luc Godard's new 3-D film Goodbye to Language has equipped me neither to summarize its storyline, to the extent that any linear story ... «The New York Review of Books, 11월 14»
Godard's Revolutionary 3-D Film
In Godard's “King Lear,” from 1987, he has a character describe editing as “handling physically, in both hands, the future, the present, and the past. «The New Yorker, 10월 14»
An Exile in Paradise
During the 1960 Cannes Film Festival, two months after the release of “Breathless,” his first feature, Jean-Luc Godard told an interviewer, “I have the impression ... «The New Yorker, 10월 14»