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Robert Siodmak: A Biography, with Critical Analyses of His Films ...
Trained in the German Expressionist tradition, Robert Siodmak brought a uniquely European flavor to Hollywood.
Deborah Lazaroff Alpi, 1998
Disfigured in a tragic explosion, biochemist Dr. Patrick Corey selects the body of a brain-dead but physically flawless young man to use as his own, unaware that Gabriel's body has a mind of its own. Original.
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Robert Siodmak: le maître du film noir - Strona 77
Robert Siodmak passe donc à la concurrence, c'est-à-dire à la Deutsche Universal-Film A.G. Cette firme, à l'origine une filiale de la Uni- versal Pictures fondée par l'Allemand Carl Laemmle aux U.S. A., va devenir sous peu le «dernier refuge» ...
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Whomsoever I Shall Kiss
THE MOUNTAINS WERE SILENT.
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Ava Gardner: "Love Is Nothing"
The choice of director seemed almost inevitable:*Universal had under contract Robert Siodmak, the man who was then deemed the most talented specialist in suspense films since Alfred Hitchcock. The German Siodmak had entered the ...
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The Werewolf Book: The Encyclopedia of Shape-Shifting Beings
Although the famous four-liner has been often attributed to authentic Gypsy folklore, screenwriter Curt Siodmak made it up for The Wolf Man (1941). “That's how folk history is made,” Siodmak said in his autobiography, Wolf Man's Maker: ...
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Continental Strangers: German Exile Cinema, 1933-1951 - Strona 257
Siodmak, Curt Miles, David. “Curt Siodmak.” In Spalek and Strelka, Deutsche Exilliteratur seit 1933, 811–19. Siodmak, Curt. “Epistles to the Germans.” Story Magazine 32, no. 128 (1948): 94–116. Jacobsen, Wolfgang, and Hans Helmut ...
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City of Darkness, City of Light: Émigré Filmmakers in Paris, 1929-1939
In terms of the scale of his work, Robert Siodmak is probably the most important of the German émigré filmmakers who came to Paris in the 1930s. Apart from the scale of his output whilst in France, Siodmak is also noteworthy because of the ...
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100 Film Noirs - Strona 205
Like Alfred Hitchcock's Rear Window (1954), Robert Siodmak's Phantom Lady was adapted from a novel by the pulp crime novelist, Cornell Woolrich. The connections don't end there. The rights to the book had been obtained for Universal by ...
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Street with No Name: A History of the Classic American Film Noir
SIODMAK. (1900-1973). Phantom Lady (\944) Christmas Holiday ( 1 944) The Killers (1946) Cry of the City ( 1948) Criss Cross (1949) The File on Thelma Jordon ( 1 950) Few images of the American film noir that stream through the popular ...
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Ciencia-ficción: 'El monstruo magnético' de Curt Siodmak
'El monstruo magnético' ('The Magnetic Monster', Curt Siodmak, 1953) es, irónicamente, la película más conocida por parte de Curt Siodmak como director. «Blog de cine, 10월 15»
Facing Death With a Shrug in Two Versions of 'The Killers'
Noting Siodmak's pre-Hollywood career in German cinema, Farber credited him ... Nominated for an Oscar, Siodmak established himself as the leading stylist of ... «New York Times, 7월 15»
'The Killers' DVD Is a Double Whammy
This approach works well in Robert Siodmak's 1946 version of The Killers, which utilizes much of Hemingway's dialogue verbatim in the early scenes while ... «PopMatters, 7월 15»
BLU-RAY REVIEW: “THE KILLERS” (Double Feature; 1946 …
Robert Siodmak received an Oscar nomination for Best Director on the picture (it was ... Siodmak's hand is assured as he brings in all the trademark film noir ... «Cinema Retro, 6월 15»
'Escape From East Berlin,' Reissued Five Decades Later
Unmatched for topicality, however, was Mr. Siodmak's West German-American coproduction “Escape From East Berlin” (1962). This Cold War artifact, newly ... «New York Times, 6월 15»
'The Devil Strikes at Night' Review: Serial Killers vs Mass Murderers
After more than a decade in Hollywood, German director Robert Siodmak (Academy Award nominated for the 1946 film noir The Killers) resumed his European ... «Alt Film Guide, 5월 15»
How a German Jewish Refugee Became a Master of Film Noir
It is arguably the finest of Siodmak's American thrillers, despite being less known than the highly acclaimed “Phantom Lady” (1944) after which he was hailed as ... «Jewish Daily Forward, 5월 15»
Cry of the City review: New York noir from Robert Siodmak
There are all sorts of familiar tropes floating about. Happily, Siodmak's sympathy for the outsider and his gift for location shooting kick the film out of the ordinary. «Irish Times, 4월 15»
'The Strange Affair of Uncle Harry' Is a Splendidly Unhealthy Portrait …
Robert Siodmak's The Strange Affair of Uncle Harry might be confused in some minds with Alfred Hitchcock's Shadow of a Doubt, because both are small-town ... «PopMatters, 4월 15»
Links for the Day: Manoel de Oliveira Dies at 106, Race and the …
Links for the Day: Manoel de Oliveira Dies at 106, Race and the American Movie, Michael Sragow on Furious 7, The Siodmak Variations, & More. «slantmagazine, 4월 15»
