«REBAB» संबंधित मलय पुस्तके
खालील ग्रंथसूची निवडीमध्ये
rebab चा वापर शोधा. मलय साहित्यामध्ये वापराचा संदर्भ देण्यासाठी
rebab शी संबंधित पुस्तके आणि त्याचे थोडक्यात उतारे.
1
West Malaysia and Singapore - Halaman 127
Mak Yong's music consists mainly of solo singing, accompanied by the rebab. The songs are divided into themes such as love, sadness, travel and lullabyes. The Mak Yong's repertoire of stories focuses mainly on palace intrigues and ...
2
PANGGUNG SEMAR: ASPECTS OF TRADITIONAL MALAY ...
MENGHADAP REBAB (salutation to the rebab) constitutes one of the most important and impressive elements in the Kelantanese Mak Yong dancetheatre performances. It takes place immediately upon the completion of the ritual consecration ...
Ghulam-Sarwar Yousof, 2015
3
Knowing Music, Making Music: Javanese Gamelan and the ...
According to Martopangrawit, the dbalang always followed the rebab player's lead in colonial times,- a court dbalang was lower in rank than the rebab player and only asked (minta) for a particular patbetan after which the rebab player took the ...
4
Unplayed Melodies: Javanese Gamelan and the Genesis of ...
Once the gendhing has begun, the rebab's decision-making powers do not evaporate. For example, the rebab decides when to play the high-register (ngelik) section of a gendhing. Again, when more than one version of a gendhing is current ...
5
Rahasia Jago Biola Otodidak Tanpa Guru: Khusus Untuk ...
Alat musik tradisonal rebab adalah jenis alat musik yang digesek dan mempunyai tiga atau dua utas tali dari dawai logam (tembaga) ini badannya menggunakan kayu nangka dan berongga di bagian dalam ditutup dengan kulit lembu yang ...
M. Zainal Fahri, Septi Isnaini, 2015
6
Play the World: The 101 World Instrument Primer - Halaman 24
The Afghani rebab is a short-waisted, horned rebab with a goatskin top and a very deep body. Although there are a number of different sizes, all Afghani rebabs have three main strings, two to four drone strings and a number of sympathetic ...
7
Music in Java: Its history, Its Theory and Its Technique - Halaman 222
A rebab with a wooden neck is generally supposed not to sound so well as one with an ivory or ivory-and-bone neck. Finally, the body of the rebab is frequently clothed in a small velvet “coatee”, called jamangan or dodot and sometimes richly ...
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9
Gamelan digul di balik sosok seorang pejuang: hubungan ...
Bagian B: Trek 15-17: Pada CD bagian ini pembuat Gamelan Digul — Bapak Pontjo- pangrawit — memainkan gesekan rebab solo, sementara se- orang niyaga lainnya memainkan bagian slenthem dari gendhing. Trek direkam oleh Mantle ...
Margaret J. Kartomi, 2005
Study on playing Balinese rabāb.
