ETIMOLOGI PERKATAAN BLAUE REITER
Literally: blue rider, name adopted by Kandinsky and Marc because they liked the colour blue, horses, and riders.
CORSICA BUKU YANG BERKAIT DENGAN «BLAUE REITER»
Ketahui penggunaan
Blaue Reiter dalam pilihan bibliografi berikut. Buku yang berkait dengan
Blaue Reiter dan ekstrak ringkas dari yang sama untuk menyediakan konteks penggunaannya dalam kesusasteraan Corsica.
The Blaue Reiter (Blue Rider) group of artists was formed in Munich in 1911 on the initiative of two leading artists of Modernism: Wassily Kandinsky, the pioneer of purely abstract painting, and Franz Marc, the creator of mysterious, ...
Hajo Düchting, Norbert Wolf, 2009
2
The Visual Arts in Germany 1890-1937: Utopia and Despair
Der Blaue Reiter. Dokumente einer geistigen Bewegung, Leipzig, 1989; Der
Blaue Reiter: Kandinsky, Man' und ihre Freunde, exhibition catalogue, Hannover,
1989; Barry Herbert, German Expressionism: die Briicke and der Blaue Reiter, ...
3
Kandinsky and the Blue Rider
Study of the Russian painter and 'inventor' of Abstract Art, Vasily Kandinsky (1866-1944) and the European artists who formed the 'Blaue Reiter' group from 1911 onwards
Annette Vezin, Wassily Kandinsky, Luc Vezin, 1992
4
Expressionism: A Revolution in German Art
Tne ic Blaue Reiter artists in Munich are often seen in German Expressionism as
diametrically opposed to the Dresden-based (and, later, Berlin-based) Briicke.
This is because their approaches were in many ways totally different and, in a ...
5
German Expressionist Painting
This move to set up rural communities continued into the period of expressionism
, when the Briicke painters worked in the Moritzburg Lake region near Dresden
and the Blaue Reiter moved to Sindelsdorf and Murnau in Upper Bavaria.
6
Approximation Theory: From Taylor Polynomials to Wavelets
Lindsay, «The Gcnesis and Meaning of the Cover Design of the First Blaue Reiter
Exhibition Catalog», Art Bulletin, XXXV (1953). p. 49. 20. Kandinsky, en Hugo
Zehder, Wassily Kandinsky (Dresde, 1920), p. 49. 21. La Cadena. 22.
Ole Christensen, Khadija Laghrida Christensen, 2004
7
Collaborative Form: Studies in the Relations of the Arts
IN the period of German Expressionism, the most important theorist of the relation
of the arts was Wassily Kandinsky and the movement that made the most
significant advance toward a synthesis of the arts was his invention, "Der Blaue
Reiter.
Thomas Jensen Hines, 1991
8
The Oxford Critical and Cultural History of Modernist ...
The first Blue Rider exhibition, organized in direct competition with the third of the
NKVM and in the same building as a sort of 'Salon des Refuses', was actually
called the 'First Exhibition of the Editors of Der Blaue Reiter'. It was the movement
...
Peter Brooker, Sascha Bru, Andrew Thacker, 2013
The "Blaue Reiter" was "born during long sessions with debates about art,"
Elizabeth recalls, "with appeals, with suggestions for prefaces etc. These were
unforgettable hours, as each of the men worked over his manuscript, polished it,
made ...
Anna Meseure, August Macke, 2000
Ashley Bassie. Der Blaue Reiter (The Blue Rider) originated in a project
conceived by Kandinsky and a younger colleague, Franz Marc, in 1911. They
shared the desire to publish a new kind of periodical. Before it was published,
they staged a ...
BARANGAN BERITA YANG TERMASUK TERMA «BLAUE REITER»
Ketahui apa yang diterbitkan oleh akhbar nasional dan antarabangsa dan cara istilah
Blaue Reiter digunakan dalam konteks perkara berita berikut.
BWW Reviews: Shape, Color, and Bliss in RUSSIAN MODERNISM …
... of Diamonds" and "Donkey's Tail" and the German "Bru?cke" and "Blaue Reiter." It's an exhibition that starts with a cosmopolitan premise and ... «Broadway World, Jun 15»
"Meine Bilder machen Freude"
Eine Anspielung auf die Künstlergruppe "Der blaue Reiter"? Ja klar, diese starke Symbolik war mir wichtig, gerade als deutscher Künstler. «Monopol - Magazin, Jun 15»
Henri Rousseau: Archaic Candour, Palazzo Ducale, Venice
For the Russian avant-gardist, Rousseau's dystopic farm was the ideal image for a brochure advertising his new Blaue Reiter movement. «Financial Times, Jun 15»
Charting the avant-garde: Works on Paper from the Triton Collection …
... and later associated with Die Brücke – the Expressionist movement dating from the time of Mühle (Mill) – and, later, Der Blaue Reiter group. «Christie's, Jun 15»
Transcending time and place
... led to increasingly abstracted elements in his art, starting from 1911 when he founded Der Blaue Reiter (The Blue Rider) with Kandinsky. «Christie's, Jun 15»
Review: 'Russian Modernism' at Neue Galerie, Figurative Focus …
... Germany from 1896 to 1914, where he became a founding member of the German Expressionist avant-garde group the Blaue Reiter in 1911, ... «New York Times, Mei 15»
'Russian Modernism: Cross-Currents of German and Russian Art …
... Der Blaue Reiter (The Blue Rider) and their Russian counterparts, the Jack of Diamonds and the Donkey's Tail—“Russian Modernism” mines ... «Wall Street Journal, Mei 15»
Russian Modernism: Cross-Currents of German and Russian Art …
... of the German Expressionist groups Brücke (Bridge) and the Blaue Reiter (Blue Rider), and their Russian counterparts the Jack of Diamonds ... «Russia Beyond the Headlines, Mei 15»
In demand: Sean Scully
... a rejigging of a kind of German Expressionism, I suppose' (it's a style reminiscent of the Blaue Reiter painters and even of Schiele at his most ... «Christie's, Mei 15»
The EY Exhibition: Sonia Delaunay, Tate Modern, review …
We see Henri Matisse and his richly patterned backgrounds crossed with the pared-down, heightened colours of the Blaue Reiter group. «The Independent, Apr 15»
