CORSICA BUKU YANG BERKAIT DENGAN «DIAZEUXIS»
Ketahui penggunaan
diazeuxis dalam pilihan bibliografi berikut. Buku yang berkait dengan
diazeuxis dan ekstrak ringkas dari yang sama untuk menyediakan konteks penggunaannya dalam kesusasteraan Corsica.
1
The American history and encyclopedia of music ...
See also diazeuxis. diazeuxis (di-a-zook'-sis) Eng. n. from Grk. In old Greek
music the separation by a tone of two tetrachords, groups of four tones; hence,
the tone separating them. The opposite of synaphe, which is the overlapping.
William Lines Hubbard, Edward Dickinson, George Whitfield Andrews, 1910
2
Transactions of the Linnean Society of London
Schiede and Deppe, is a specimen in flower of this plant, which proves to be a
genus akin to Serra- tula ; and it is therefore to be expunged from Diazeuxis, to
which it had been referred from habit alone, and the following inserted in its place
. 2.
Linnean Society of London, 1833
3
A Complete Dictionary of Music
DIAZEUXIS, A Greek word which signisies division, separation, disjunction. Tis
by this term that the. tone which separated two tetrachords disjoined, was called
in ancient music, and! which being added to one of the two, formed from it the dia
- ...
Jean-Jacques Rousseau, 1779
4
General Music Teacher: Adapted to ...
♢H yper-Diazeuxis. When two tetrachords were separated from each other by the
interval of an octave, that separation was termed a hyper-diazeuxis. •Hyper-
Dorian. One of the Greek modes which was a fourth higher than Dorian; this
mode ...
5
Acta Universitatis Gotoburgensis
101,2 deutlich sagt Also: Hypate hypaton I tiefere Diazeuxis Nete hyp. oder
Proslamb. Nete diezeugmenon Paramese Mese Tetrach. vor der tieferen
Diazeuxis Tetrach. nach der hoheren Diazeuxis die Tetrachorde )nach der
hoheren ...
6
A Universal Dictionary of Musical Terms: Taken in Part from ...
•Hyper-Diazeuxis. When two tetrachords were separated from each other by the
interval of an octave, that separation was termed a hyper-diazeuxis. •Hyper-
Dorian. One of the Greek modes which was a fourth higher than Dorian ; this
mode ...
James Franklin Warner, Gottfried Weber, 1842
7
Ptolemaios und Porphyrios über die Musik
... tieferen Ton der höheren Diazeuxis nach der jetzigen Anordnung dynamische
Mese und den höheren Paramese; Proslambanomenos aber und <zugleich)
Nete hyperbolaion den tieferen Ton der Diazeuxis, Hypate hypaton den höheren;
...
Ptolemy, Ingemar Düring, Porphyry, 1934
8
Transactions of the Linnean Society. - London, Davis 1791-
In altera specie ab amicissimo D. Gillies lecta flosculi albi; radii 10, foeminei,
absque steriliuln rudimentis ; labia arteriore ligulato, acute tridentato ; interiare'
brevissimo, bipartito, laciniis linearibus, acutis, erectis, inaequalibus. DIAZEUXIS
?
9
Godfrey Weber's General Music Teacher: Adapted to ...
A name which the Greeks gave their fifth tetrachord. •Hyper-Diazeuxis. When two
tetra- chords were separated from each other by the interval of an octave, that
separation was termed a hyper-diazeuxis. •Hyper-Dorian. One of the Greek
modes ...
10
The Classical Quarterly
It is therefore suggestive that a doubt should have prevailed in ancient times
about this particular diazeuxis. 2. Plutarch, de Musica, 1137 D. 8ij\ou 8k icai irepl
r&v virar&v on ov oY ayvoiav direl.,xpvro A» T0'? Aa>pioi<; tov rerpaxopSov
tovtov.
John Percival Postgate, Edward Vernon Arnold, Frederick William Hall, 1913
