Maksud "Hypodorian" dalam kamus Corsica

SEBUTAN HYPODORIAN DALAM CORSICA

Hypodorian  [ˌhaɪpəˈdɔːrɪən]

APAKAH MAKSUD HYPODORIAN dalam CORSICA?

Mod Hypodorian

Hypodorian mode

Mod Hypodorian, istilah muzik yang secara harfiah bermaksud 'di bawah Dorian', memperoleh namanya dari spesies tonos atau oktaf Yunani Kuno yang, dalam genus diatoniknya, dibina daripada tetrachord yang terdiri daripada semiton yang diikuti oleh dua nada keseluruhan. Skala yang semakin meningkat untuk oktaf adalah nada tunggal diikuti oleh dua tetrachords conjoint jenis ini. Ini adalah kira-kira sama seperti memainkan semua nota putih piano dari A hingga A: ABCDEFG A. Walaupun skala ini dalam teori zaman pertengahan digunakan dalam Dorian dan Hypodorian, dari abad ke-16 dan dalam teori muzik moden mereka menjadi dikenali sebagai mod Aeolian dan Hypoaeolian. Istilah Hypodorian digunakan untuk menggambarkan mod kedua muzik gereja Barat. Mod ini adalah rekan plagal daripada mod pertama yang sahih, yang juga dikenali sebagai Dorian. Mod Hypodorian eklesiastikal ditakrifkan dalam dua cara: sebagai spesies oktaf diatonik dari A hingga A, dibahagikan pada akhir mod D dan terdiri daripada tetrachord yang lebih rendah nada-semiton-nada, berakhir pada D, ditambah pentachord nada-semiton- nada nada yang berterusan dari D, dan sebagai mod yang terakhir adalah D dan yang ambitus adalah G-B ♭.

The Hypodorian mode, a musical term literally meaning 'below Dorian', derives its name from a tonos or octave species of ancient Greece which, in its diatonic genus, is built from a tetrachord consisting of a semitone followed by two whole tones. The rising scale for the octave is a single tone followed by two conjoint tetrachords of this type. This is roughly the same as playing all the white notes of a piano from A to A: A B C D E F G A. Although this scale in medieval theory was employed in Dorian and Hypodorian, from the mid-sixteenth century and in modern music theory they came to be known as the Aeolian and Hypoaeolian modes. The term Hypodorian came to be used to describe the second mode of Western church music. This mode is the plagal counterpart of the authentic first mode, which was also called Dorian. The ecclesiastical Hypodorian mode was defined in two ways: as the diatonic octave species from A to A, divided at the mode final D and composed of a lower tetrachord of tone–semitone–tone, ending on D, plus a pentachord tone–semitone–tone–tone continuing from D, and as a mode whose final was D and whose ambitus was G–B♭.

TERJEMAHAN HYPODORIAN

Cari terjemahan Hypodorian kepada 25 bahasa dengan penterjemah Corsica pelbagai bahasa kami.

Terjemahan Hypodorian dari Corsica ke bahasa lain yang dibentangkan dalam bahagian ini telah diperolehi menerusi terjemahan statistik automatik; di mana unit terjemahan penting adalah perkataan «Hypodorian» dalam Corsica.

• Penterjemah Corsica - Cina: Hypodorian
• Penterjemah Corsica - Czech: Hypodorian
• Corsica: Hypodorian
• Penterjemah Corsica - Hindi: Hypodorian
• Penterjemah Corsica - Amhara: Hypodorian
• Penterjemah Corsica - Rusia: Hypodorian
• Penterjemah Corsica - Punjabi: Hypodorian
• Penterjemah Corsica - Basque: Hypodorian
• Penterjemah Corsica - Frisia: Hypodorian
• Penterjemah Corsica - Melayu: Hypodorian
• Penterjemah Corsica - Chichewa: Hypodorian
• Penterjemah Corsica - Jepun: Hypodorian
• Penterjemah Corsica - Kreol Haiti: Hypodorian
• Penterjemah Corsica - Jerman: Hypodorian
• Penterjemah Corsica - Vietnam: Hypodorian
• Penterjemah Corsica - Tagalog: Hypodorian
• Penterjemah Corsica - Marathi: हिपोडोरियन
• Penterjemah Corsica - Turki: Hypodorian
• Penterjemah Corsica - Itali: Hypodorian
• Penterjemah Corsica - Poland: Hypodorian
• Penterjemah Corsica - Ukraine: Hypodorian
• Penterjemah Corsica - Romania: Hypodorian
• Penterjemah Corsica - Cina: Hypodorian
• Penterjemah Corsica - Afrikaans: Hypodorian
• Penterjemah Corsica - Swahili: Hypodorian
• Penterjemah Corsica - Parsi: Hypodorian

CORSICA BUKU YANG BERKAIT DENGAN «HYPODORIAN»

Ketahui penggunaan Hypodorian dalam pilihan bibliografi berikut. Buku yang berkait dengan Hypodorian dan ekstrak ringkas dari yang sama untuk menyediakan konteks penggunaannya dalam kesusasteraan Corsica.

Ancient Greek Music

A Peripatetic writer discusses the question why choruses in tragedy do not sing in either Hypodorian or Hypophrygian. His answer is that these modes are more suited to the heroic figures on the stage; Hypodorian is grand and steady (we ...

M. L. West, 1992

The Mathematical Theory of Tone Systems

RAT(HYPOD/HEX/NO.5)-7; 1+5 RAT, hexachromatic/hexenharmonic genus from K.S.'s 'Bastard' Hypodorian; 48/47, 8/7, 4/3, 16/11, 96/65, 8/5, 2 RAT(HYPOD/ HEX/NO.6)-7; 2+3 Rationalized hexachromatic/hexenharmonic genus from K.S. ' s ...

Jan Haluska, 2003

Reading Renaissance Music Theory: Hearing with the Eyes

... 42 Mittit ad virginem Sahatoris mater pia In lectulo Ionian Hypoionian [Ninot Petit in index] Ionian / Hypoionian Hypodorian Hypodorian Hypodorian Dorian Phrygian Dorian / Hypodorian Hypodorian to Hypoaeolian Hypophrygian 8 Qosquin, ...

Cristle Collins Judd, 2006

A General History Of The Science and Practice Of Music: In ...

The Hypodorian*. The most grave of these was the Hypodorian ; the rest followed in a succef* sion towards the acute, exceeding each other respectively by a herni tone ; and between the two extreme modes was the interval of a diapason -j-.

John Hawkins, 1776

Analyzing Bach Cantatas

Luther himself had remarked that the Hypodorian mode was analogous to the " poor weak sinner" (peccator infirmus) because of its wavering between "fa" and " mi" — that is, the B quadro/molle alternative.49 And if we take A as the correct final ...

Eric Chafe, 2000

The Performance of 16th-Century Music: Learning from the ...

HYPODORIAN 1. Melodic Structure HYPODORIAN 1.1 Nicola Vicentino, L'antica musica ridotta alla moderna prattica, Rome, 1555, fol. 45. HYPODORIAN 1.3 Michel de Menehou, Nouvelle instruction familiere, Paris, 1558, sig. Biiiv. . 2.

Anne Smith, 2011

The Harmony of the World

The Hypodorian j^fe^^fjEJlUBS^flE Adam the first man. Noah the second. These are the two kinds of soft melody, from the kind of octave which I have put as first among the fourteen. I see no other difference but purely in the pitch, which in the  ...

Johannes Kepler, E. J. Aiton, Alistair Matheson Duncan, 1997

A Performer's Guide to Medieval Music

But the total notated range of the eight modes is nearly two octaves: A-a for the Hypodorian mode, and G-g for the Mixolydian.'1 It is inconceivable that some chants with an octave range should be sung nearly an octave higher than others.

Ross W. Duffin, 2000

Composition, Chromaticism and the Developmental Process: A ...

The sonata was composed in the same year, 1655, and in the same church key ( transposed hypodorian, or second church key) as Marini's op. 22 no. 1 discussed above. Almost identical to the opening progression in Marini's sonata, ...

Henry Burnett, Roy Nitzberg, 2007

The Emotional Power of Music: Multidisciplinary Perspectives ...

If we classify the aspects and their nomenclature according to Cleonides and the ecclesiastic tradition (Table 8.2, left and right columns, respectively), we find that only one aspect has the same name in each system, the Hypodorian-and that ...

Tom Cochrane, Bernardino Fantini, Klaus R. Scherer, 2013

BARANGAN BERITA YANG TERMASUK TERMA «HYPODORIAN»

Ketahui apa yang diterbitkan oleh akhbar nasional dan antarabangsa dan cara istilah Hypodorian digunakan dalam konteks perkara berita berikut.

Monks of the desert

Track 5 (Sequence: Stabat Mater) Variously attributed to Innocent III and Jacopone da Todi Mode II - Hypodorian Track 6 (Kyrie IV) Mode I - ... «Artslink.co.za News, Mei 12»