CORSICA BUKU YANG BERKAIT DENGAN «PAROXYTONIC»
Ketahui penggunaan
paroxytonic dalam pilihan bibliografi berikut. Buku yang berkait dengan
paroxytonic dan ekstrak ringkas dari yang sama untuk menyediakan konteks penggunaannya dalam kesusasteraan Corsica.
1
Origins of a Creole: The History of Papiamentu and Its ...
Bal (1983a), in particular reference to the conservative variety of Casamance,
shares the view on verb stress in GBC expressed by Wilson: “Paroxytonic are
verbs like debe, more, fala, fasi, etc. The only exception, also noted consistently
by ...
2
Music and Meaning in Old Hispanic Lenten Chants: Psalmi, ...
Music Example 8 The type-1 cadence Ecce quam... quod descendit respond in
León 8 (paroxytone) Domine orationem in León 8, end ofverse 1 (proparoxytone)
paroxytonic melisma ends NHL followed by N-NHL (NHLH followed by N or NH ...
Emma Hornby, Rebecca Maloy,
2013
3
A Companion to Guillaume de Machaut
10 one also encounters the traditional terminology “feminine rhyme” for the
paroxytonic situation, and “masculine rhyme” for the oxytonic; cf. W. theodor
elwert, Traité de versificationfrançaise des origines à nosjours (Bibliothèque
française et ...
Deborah McGrady, Jennifer Bain,
2012
4
Sentential Form and Prosodic Structure of Catalan
Schematic diagram of the F0 peak location with respect to the end of the syllable
(and the end of the word) in paroxytonic and oxytonic words (taken from Prieto
2006b: 13) Figure 4 is a schematic diagram of the differences in F0 peak
locations ...
5
The Handbook of Hispanic Linguistics
... rinoceront (e), universidad, regulacion. That is, most words ending in a vowel
in the singular are paroxytonic (i.e., with word-penultimate stress), and most
words ending in a consonant are oxytonic (with word-final stress). Over 95% of
nouns ...
José Ignacio Hualde, Antxon Olarrea, Erin O'Rourke,
2013
6
A Performer's Guide to Medieval Music
In the few songs that have measured notation, oxytonic and paroxytonic rhymes
are treated quite distinctly: while oxytonic rhyme syllables are long, usually
preceded by a short note, paroxytonic rhymes are always given the rhythm long-
long.
7
A History of the Spanish Language
Table 3.8 Chronology of the paroxytonic forms of the second person plural Latin
CANTATIS Spanish to 1400 cantades 1400-1470 cantades, cantdes 1470-1550
cantdes, cantdis, cantds 1550 onwards In Spain: cantdis In America: cantds, ...
8
Songs of the Troubadours and Trouveres: An Anthology of ...
Thus for an 8-syllable line, the oxytonic model would be: I 2 3 4 5 6 7 8 And non!
a/gui/ de/ me/ po/der (“Never have I had power over myself”) and the paroxytonic,
or “feminine” equivalent would be: I 2 3 4 5 6 7 8 ' Qui/ en/ ce/lui/ n'a/ sa/ ...
Samuel N. Rosenberg, Margaret Switten, Gerard Le Vot,
2013
9
The Boundaries of Pure Morphology: Diachronic and Synchronic ...
Consequently, the verb forms in (39b) are underlyingly paroxytonic, and have
always been such.29 And no 27 Inclusion of the gerund in the set of the N-pattern
cells in (35)—(36) is reminiscent of the solidarity of the gerund with the U-pattern
...
Silvio Cruschina, Martin Maiden, John Charles Smith,
2013
10
The Musical World of a Medieval Monk: Adémar de Chabannes in ...
80r should: a single note is added to the paroxytonic cadence for the
antepenultimate accented syllable. The cadence in Vt sedeat is missing the
setting of the first syllable of the cadence, the binary neume C–B (on the middle
syllable of ...