CORSICA BUKU YANG BERKAIT DENGAN «TWELVE PITCH»
Ketahui penggunaan
twelve pitch dalam pilihan bibliografi berikut. Buku yang berkait dengan
twelve pitch dan ekstrak ringkas dari yang sama untuk menyediakan konteks penggunaannya dalam kesusasteraan Corsica.
1. Introduction Like other scales, the semitonal scale of atonal and twelve-tone
music defines a pitch-class domain. But, unlike the others, the semitonal scale
comprises all twelve pitch classes and makes no functional distinctions among
them.
2
A Theoretical Investigation of
Twelve-tone Rows, Harmonic ...
... all of which are based on relationships in pitch space. Generally, the notion of
pitch class is employed only in the sense that a harmonic aggregate must contain
a member of each of the twelve pitch classes. Three pitch-based concepts in ...
Christopher Anderson Fobes, 2006
3
Early Chinese Work in Natural Science: A Re-examination of ...
Hence, the octave of the twelve-pitch system is not determined by the note
generated from the Zhong-lu (F) pitch. It is here that Needham and Robinson
made both an incorrect interpretation of the procedure and an incorrect insertion
into the ...
4
The Operas of Alban Berg: Wozzeck
The ostinato theme of the Passacaglia, Scene 4, anticipates Schoenberg's "tone
row" in that it is a fixed serial ordering of the twelve pitch classes. If Schoenberg's
Opus 25 and the last movement of Opus 23 are to be given priority as examples ...
5
Music, Cosmology, and the Politics of Harmony in Early China
Bodde introduces the notion of pitch~standards as scales or sequences, which
can be misleading. He arrives at this conclusion by inquiring into the Han prac—
tice of expanding the basic twelve pitch—standards into sixty pitch~standards.
6
Advances in Music Information Retrieval
The second property, related to pitch, is the note name regardless of octave, and
corresponds to one of the twelve pitch classes. This property can be termed the “
color” of the note. Although chords are made up of notes perceived as absolute ...
Zbigniew W. Ras, Zbigniew Raś, Alicja Wieczorkowska, 2010
7
The Collected Essays of Milton Babbitt
If these two characteristics of the serial unit of the Cantata, total pitch content of
less than all twelve pitch classes and nonconsecutive repetition, differentiate it
essentially from a twelve-tone set, the operations upon the serial unit correspond
to ...
Stephen Peles, Milton Babbitt, Stephen Dembski, 2011
The spelling of the twelve pitch classes is unimportant. When using the pitch
class C#, it is just as correct to refer to it as Db. Prior to writing a twelve-tone
composition, the composer creates a specific order in which the twelve pitch
classes will ...
9
The
Twelve-Note Music of Anton Webern: Old Forms in a New ...
... treated as independent rows. source set: a specific division of the twelve pitch
classes into two unordered hexachords; all rows generated by the same source
set will exhibit similar combinatorial properties. tetrachord: four notes; one-third of
...
10
Analyzing Atonal Music:
Pitch-class Set Theory and Its Contexts
In his article "Twelve-Tone Invariants as Compositional Determinants," published
in the Musical Quarterly in 1960, he put it on a par with inversion, arguing that it
likewise resulted in a permutation of all twelve "pitch numbers" (Babbitt 1960, ...
