APAKAH MAKSUD मुक्तचंदा dalam HINDI?
Definisi मुक्तचंदा dalam kamus Hindi
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HINDI BUKU YANG BERKAIT DENGAN «मुक्तचंदा»
Ketahui penggunaan
मुक्तचंदा dalam pilihan bibliografi berikut. Buku yang berkait dengan
मुक्तचंदा dan ekstrak ringkas dari yang sama untuk menyediakan konteks penggunaannya dalam kesusasteraan Hindi.
1
Prasāda-Nirālā-Ajñeya: paraṃparā, vidroha aura ādhunikatā ...
paraṃparā, vidroha aura ādhunikatā ke bīca kavitā kā vikāsa athavā kavitā meṃ saṅgīta, mukta chanda aura gadya ke vinyāsa Ramswarup Chaturvedi. प्रसाद के 'प्रथम प्रभात' की तुलना मैंधिलीशरण गुप्त के प्रात: वर्णन ...
Ramswarup Chaturvedi,
1989
2
Indian Literature: Proceedings of a Seminar - Page 501
I want to know about the end-rhymes in modern Marathi poetry. Dr O. M. Anujan — I doubt very much if lines composed entirely of long and elongated syllables can be called mukta chanda. Dr M. H. Kkan — I was wondering, Dr Joshi, if we are ...
3
Transactions - Volume 16 - Page 501
I want to know about the end-rhymes in modern Marathi poetry. Dr O. M. Anujan — I doubt very much if iines composed entirely of long and elongated syllables can be called mukta chanda. Dr M. H. Kkan — I was wondering, Dr Joshi, if we are ...
Indian Institute of Advanced Study,
1972
4
Translation Reconsidered: Culture, Genre and the “Colonial ...
However, in the 1960s Vinda Karandikar wrote what he called “mukta suneete” (lit. free sonnets). These poems varied between thirteen and fifteen lines, without any consistent prosody. It was a combination of the “mukta chanda” (free verse) ...
Chandrani Chatterjee,
2009
5
I.A. Richards and Indian Theory of Rasa - Page 283
In certain forms of verse, as in free verse (mukta-chanda) rhythm is predominant. But in metrical composition, rhythm plays an important role. Laya and Chanda are helpful in the revelation and relish of Rasa. They lend musical effect to poetry.
6
History of Indian Literature: 1911-1956, struggle for ... - Page 218
The term mukta chanda was used for the first time by Anil (A.R. Deshpande). There were other writers too, all of whom were looking for new metrical patterns. Rege called his compositions Sahaja Kavya, Vyankatesh Vakil described his poems ...