APAKAH MAKSUD COMEDÍE dalam ROMANIA?
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Definisi comedíe dalam kamus Romania
comedie f. (fr comédie, d. lat comódia, yang berasal dari v komodia, terdiri daripada kômos, pesta, dan lain-lain, s). Satu pertunjukan teater yang meriah yang mewakili [!] Dan menghina kecacatan, visi [!], Negara sosial, institusi politik, dan sebagainya. Teater di mana ia dimainkan: Datang ke komedi. Ara. Perkara tersusun, penipuan: anda telah bermain komedi! Rahsia komedi, rahsia yang anda akan sembunyikan, walaupun semua orang tahu. V. Tragedi. comedíe f. (fr. comédie, d. lat. comóedia, care vine d. vgr. komodia, compus din kômos, ospăț, și odé, cîntare, odă). Pĭesă teatrală veselă care reprezentă [!] și ridiculizează defectele, vițiile [!], stările sociale, instituțiunile politice ș.a. Teatru în care se joacă asta: a te duce la comedie. Fig. Lucru înscenat, înșelăcĭune: ĭ-aŭ jucat comedia! Secret de comedie, secret pe care vreĭ să-l ascunzĭ, deși toată lumea îl știe. V. tragedie.
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ROMANIA BUKU YANG BERKAIT DENGAN «COMEDÍE»
Ketahui penggunaan
comedíe dalam pilihan bibliografi berikut. Buku yang berkait dengan
comedíe dan ekstrak ringkas dari yang sama untuk menyediakan konteks penggunaannya dalam kesusasteraan Romania.
Discusses: The Comedy of errors, The Taming of the shrew, Love's labour's lost, A Midsummer Night's Dream, The Merchant of Venice, Much Ado about Nothing, As you like it, Twelfth Night, All's Well that ends well, Measure for measure.
Gary Fredric Waller, 1991
Alfred de Musset (1810-1857) is traditionally considered one of the major French Romantic poets, but his primary renown today is as a dramatist.
Alfred de Musset, David Sices, 1994
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Theatre in Balzac's La Comédie Humaine - Pagina 115
Linzy Erika Dickinson. Balzac's own calculations in a letter to Madame Hanska on 4 August 1848 testify to how much money could be made through trading in billets d'auteur: Porcher, Tacquereur des droits de billets a qui j'ai donne ma griffe ...
Linzy Erika Dickinson, 2000
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Lou Grulié bel esprit, vo Suzeto et Tribor; Comédie en ... - Pagina 61
Étienne PELABON. Pl'êces de TÍzc'rllre (frío/L trouve c/zez le тёте Libraire. Alhalie ‚ tragédie. Armide , trag. Abufar , trag. Adélaïde du Guesclin , trag. Amour Íilial. Amana malheureux ( les ), drame. Ambroise, ou vnilâ ma journée , comédie.
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The Comedies of Corneille: Experiments in the Comic - Pagina 9
La Comedie a son entree est suspendue, turbulente en son milieu, car c'est la que sefont toutes les tromperies et les intrigues, etjoyeuseA son issue.1 Le principal secret de pareils ouwages, consiste a intriguer les accidens de sorte, que ...
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Select Comedies - Volumul 8 - Pagina 228
Molière, J. M. Clare, Henry Baker. [PREFACE Amais emprise au Them-swarm 'si' précipitée que celle-ci; ac' c'est une chose, jasmin-tonte nouVelle, qu'une Comédie ait été conçûë, faire, api prife 6c repréfente'e en quinze jours. Je ne dis' pas ...
Molière, J. M. Clare, Henry Baker, 1732
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Discours préliminaire. Vie d'Alexis Piron. L'école des ... - Pagina 382
Alexis Piron, M. Rigoley de Juvigny (Jean Antoine). enfiuite remis deux Ëxnmplaires' dans notre Ëilæliothèque' publique , un dans celle de notre Château du Louvre, 8c un dans celle dudît Sieur DE Mnurrou; le tout à peine de nullité des ...
Alexis Piron, M. Rigoley de Juvigny (Jean Antoine), 1776
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Repertory Of The Comedie Humaine, Complete, A — Z
And even without this word of approval, the intelligent reader needs but a glance within the pages of the Repertory of the Comedie Humaine to convince him at once of its utility. In brief, the purpose of the Repertory is to give in alphabetical ...
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The Cambridge Introduction to Shakespeare's Comedies - Pagina 58
Plays are made of words and actions; in terms of actions, comedies, as we have seen, focus on behaviour – farcical or social – that has the potential for comic effects. What of the words that the characters speak? Late Elizabethan England was ...
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Shakespeare's Comedies of Love
'Songs. of. Apollo': Love's. Labour's. Lost. in. 1961. R.B. PARKER I The standard stage history of Love's Labour's Lost (Gilbert, Shakespeare in Performance) does not even mention it, but Michael Langham's 1961 production at the Stratford ...
