KSIĄŻKI POWIĄZANE ZE SŁOWEM «SANSERIF»
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1
Transferred Illusions: Digital Technology and the Forms of ...
Since they lack connectors, the proper use for sanserif faces was early judged as display work - advertisements, titles, labelling - usually in upper-case type. It was assumed that it would be more comfortable to read continuous text, a novel for ...
Professor Kathryn Sutherland, Professor Marilyn Deegan,
2012
2
Creating Dynamic Forms with Adobe LiveCycle Designer
According to research conducted by Web Marketing Today (www.wilsonweb.com), readers of online Web sites prefer san-serif fonts for readability. In a survey that it conducted of over 1600 readers, san-serif fonts were preferred 2:1. So, what ...
3
Computing Center Memo - Trbtan 800-924 - Halaman 56
8pt 8 8 97 86 75 128 128 128 34x17 38x19 44x22 66 85 89 96 78 25 Computer Modern Computer Modern Computer Modern Roman Slanted Roman Slanted Sanserif Bold 9pt 7 6 8 8 10pt Extended Computer Modern Condensed CMSSDC ...
University of Michigan Computing Center,
1985
4
A Bibliography of Bertrand Russell: I. Separate ...
A17 A Course of Eight Lectures on Principles of Social Reconstruction [syllabus] [1915] A17.1a First British edition A Course ofEIGHT LECTURES[sanserif]|ON| Principlesof [sanserif] | Social Reconstruction [sanserif] | WILL BE GIVEN IN THE ...
Kenneth Blackwell, Harry Ruja, Sheila Turcon,
2003
5
Foundation Form Creation with Adobe LiveCycle Designer ...
San-serif letterforms can be found from the fifth century in Greek and Latin texts. In about 1805 sanserif letters appeared in print mediums such as European Magazine. It was in 1919 that the san-serif letters began to be popular when the first of ...
6
Dutch Type - Halaman 299
Roman of the NEN 3225 ; Sloped sanserif of the NEN 3225 standard alphabets, based on standard alphabets, drawings by |an van Krimpen. With its ligatures and descending | and Q it is a typeface for typography rather than signage. Note the ...
7
Swiss Graphic Design: The Origins and Growth of an ... - Halaman 44
They can be replaced by lowercase in a single typeface. which Roh represents by the sanserif lowercase 'a'. The Akzidenz Grotesk typeface became the most frequently used in the New Typography and almost the norm in later Swiss graphic ...
8
Active Literature: Jan Tschichold and New Typography - Halaman 149
SCRIPT, TYPE AND BOOK Sanserif and small letters A preference for sanserif typefaces is evident from the earliest manifestations of New Typography, at least for use in larger sizes for titles and headings. The name of Devetsil was set in ...
9
The Geometry of Modernism: The Vorticist Idiom in Lewis, ...
Dworkin notes that [i]n the early twentieth century, the “function- alism and quiet line” associated with the unadorned and hard-edged sanserif made it de ri- gueur for those who wanted to signify a futuristic modernity in line with the streamlined ...
10
MTS, Michigan Terminal System - Jilid 11 - Halaman 283
University of Michigan Computing Center. 2ND HEX DIGIT | Table 2: Sanserif. 1 Character Set Table 3: Sanserif. 2 Character Set 162 Appendix A: Character. August 1978 Page Revised September 1982 SANSERIF.! VSPAC - 5 PSUP - (0.23) ...
University of Michigan Computing Center,
1978