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postromantic przym. m., pl. postromantic; f. postromantic sg, pl. postromantic postromántic adj. m., pl. postromántici; f. sg. postromántică, pl. postromántice
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1
The Contemplative Poetry of Gerard Manley Hopkins - Pagina 36
Throughout the Romantic and post-Roman— tic periods, the role of genius in the making of a poetry seen as creation or poiesis rather than mimesis, and of creation as a somnolent, unconscious je ne sais quoi, held nearly absolute sway in ...
2
Rituals of Mediation: International Politics and Social ... - Pagina xxxiv
In this (post)roman- tic context, mediators are actively engaged agents of transformation. Rituals of Pluralization Polish-born performance artist Krzystof Wodiczko is perhaps one of the best-known contemporary proponents of the inclusion of ...
François Debrix, Cynthia Weber, 2003
3
Literary Wit - Pagina 94
Literature and sex," as Hannah describes them. But he also seeks a tawdry and transient sort of fame that pokes the contemporary world along from one day to the next. Bernard is a "wit" in the modern (or rather post- Roman tic) and degraded ...
4
Irish Women Writers: New Critical Perspectives - Pagina 10
Romantic and post- Roman tic aesthetics, however, insisted on links between the expressive potential of the lyric and the subjectivity of the poet. As Marjorie Perloff concludes, in sifting through recent accounts of this term, the lyric [...] evidently ...
Elke D'hoker, Raphaël Ingelbien, Hedwig Schwall, 2011
5
A Theory of Adaptation - Pagina 4
But as John Ellis suggests, there is something counterintuitive about this desire for persistence within a post-Roman- tic and capitalist world that values novelty primarily: the “process of adaptation should thus be seen as a massive investment ...
Linda Hutcheon, Professor Department of English and of the Centre for Comparative Literature Linda Hutcheon, 2006
6
Shaping Information: The Rhetoric of Visual Conventions - Pagina 74
In the realm of visual rhetoric, artful and informed imitation within a social context drives praxis. However, contemporary theory and pedagogy largely shun imitation because in a post- Roman tic, postmodern world it threatens self-expression ...
Charles Kostelnick, Michael Hassett, 2003
7
The Puritan Origins of American Sex: Religion, Sexuality, ... - Pagina 119
Not only does Valdemar's selfhood have no apparent original language in which to base itself, but it has no artistic "originality" within the guiding principles of the post- Roman tic cultural atmosphere. Essentially, Valdemar can be seen to traffic ...
Tracy Fessenden, Nicholas F. Radel, Magdalena J. Zaborowska, 2001
8
From Text to Hypertext: Decentering the Subject in ... - Pagina 64
Belsey describes the continuity of the subject of the author between Romanticism and early modernism: It is readily apparent that Romantic and post- Roman tic poetry, from Wordsworth through the Victorian period at least to Eliot and Yeats, ...
9
The Poet's Voice: Essays on Poetics and Greek Literature - Pagina 327
... least in terms formulated by a (post-)Roman- tic discourse. Philosophy may to a large degree have taken over the privileged voice of poetry in archaic society, but the Alexandrian philologi demonstrate an engagement in the complete range ...
10
The Endless Text: Don Quixote and the Hermeneutics of Romance
... explains why the resulting genre/non-genre became the paradigmatic instrument of post-Renaissance and in particular post- Roman tic writing. The process by which this is achieved begins in the Don Qui;cote: Che Reluct,\nr Romance 121.
