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1
Singing in Style: A Guide to Vocal Performance Practices - 141페이지
amples where a singer can breathe between the note of the portamento that anticipates the main note, and the main note itself (exs. 4.3a and b). Slurs marked in vocal music could indicate either that a vowel should continue for more than one ...
2
Bel Canto: A History of Vocal Pedagogy - 165페이지
Portamento is closely related to legato. In a portamento the voice glides from one pitch to another, passing through all intervening pitches, in a slower manner than in a vocal onset or a legato. Like legato, portamento is ideally suited to the ...
3
Fast Guide to Propellerhead Reason - 119페이지
SubTractor can be customised to respond to incoming note data in different ways, with the controls in the Key Mode and Portamento area. First up is the Mode switch, to select between 'Legato' and 'Retrigger' operations, which determine how ...
Debbie Poyser, Derek Johnson, Hollin Jones, 2006
4
Performance Practice: A Dictionary-Guide for Musicians - 317페이지
Portamento (late 18th to early 20th c.). An audible and expressive sliding between two pitches. Although usually not indicated in scores, such a sliding was introduced, mostly by singers or string players, at certain points in a melodic line.
5
Early Recordings and Musical Style: Changing Tastes in ... - 146페이지
Ex.6.2 An example of Ysaye's portamento, from Flesch, Violin Fingering, 365. portamento, described as an L-portamento by Flesch, is analysed quite differently by Yampolsky (1933). He describes it as a single—finger slide, 'with a particular ...
6
Designing Software Synthesizer Plug-Ins in C++: For ... - 497페이지
Many synths offer a portamento or glide feature. With this effect engaged, successively triggered notes will not start at the MIDI note pitch, but will glide smoothly up or down from the previously triggered note. The user controls the glide time.
7
Bel Canto: A Performer's Guide - 60페이지
Portamento But beyond these principles ofsostenuto, legato, and slurring, several writers mention the gliding or sliding nature ofsmooth singing. In the early nineteenth century the terms glide and slide referred to the practice of running through ...
8
Performing Brahms: Early Evidence of Performance Style - 72페이지
PORTAMENTO Just as Joachim insisted that vibrato should only be introduced sparingly, so he demanded the greatest restraint and circumspection in the use of portamento. In this he was probably at odds not only with many of his ...
Michael Musgrave, Bernard D. Sherman, 2003
9
Playing the Cello, 1780–1930
These includehisown and thoseby W.H.Squire (1871–1963), John Barbirolli (1899–1970), Beatrice Harrison (1892–1965), and CedricSharpe (1891–1978).32 Van Biene's own recordings featurean almost continuous slow portamento, ...
10
The Early Violin and Viola: A Practical Guide - 62페이지
Ex. 4.8 (a) slide finger (b) the 'B-portamento' (c) the 'L-portamento' Flesch criticises the excessive use of portamento by late-nineteenth- and early-twentieth-century violinists, the false accents it creates and the fact that it was invariably ...
