КНИГИ НА ПОЛЬСКИЙ ЯЗЫКЕ, ИМЕЮЩЕЕ ОТНОШЕНИЕ К СЛОВУ «MOMENT MUSICAL»
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The Cognition of Basic Musical Structures - Strona 308
All of these are well-known devices for creating musical tension and instability. The first section of Schubert's Moment Musical No. 6 provides an illustration. Figure 11.7 shows the analysis of the TPC-harmonic program for this passage.
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Explorations in Music, the Arts, and Ideas: Essays in ... - Strona 295
John Chesnut Affective Design in Schubert's Moment musical op. 94 no. 6 INTRODUCTION An important objective of modern theory is to identify functional relationships in music. This is difficult using traditional formal analysis, which suffers ...
Leonard B. Meyer, Eugene Narmour, Ruth A. Solie, 1988
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Nineteenth-Century Piano Music - Strona 140
The very opening of Moment Musical No. 1 in C major offers a typical Jodler motive, of a kind one can still hear sung in the Austrian Alps. Later on, the cuckoo, another symbol of the open air, appears before a restatement of the Jodler motive, ...
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Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000
“Affective Design in Schubert's Moment musical Op. 94, No. 6.” F-Meyer: 295—316. 6809. Cone, Edward T. “Schubert's Promissory Note: An Exercise in Musical Hermeneutics.” NCM 5 (1981—1982): 233—41. 6810. De la Motte, Diether.
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¤Encyclopedia of the Romantic Era, 1760–1850 - Strona 755
It has most often been suggested that the Moments musicaux compare with the enormous number of Schubert's ... In the twentieth century the conceit of what might or might not constitute a “musical moment” inspired considerable critical ...
Christopher John Murray, 2013
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Dreams of Difference, Songs of the Same: The Musical ...
Several refrains circulate among these texts: their reliance on clichés, their rewriting of cultural narratives, and their hallucinatory treatment of memory and history.
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Musical Meaning: Toward a Critical History - Tom 1 - Strona 24
The rhetoric, with its multiplication of parallel clauses, is imitative of what it describes, and bears at least a family resemblance to the rhetoric of the Moment musical, with its use of musical parallelisms to "taint" both the Allegretto's middle ...
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Returning Cycles: Contexts for the Interpretation of ... - Strona 280
Here in the second Moment musical the return of the B music is violent and disjunctive in ways that dramatize the tonal distance of its Ft minor from the N major of the A sections (ex. E.2). After one anguished phrase, this B music reverts to its ...
The scope of this collection is indicative of the breadth and diversity of music's role in cinema, as is its emphasis on musical contributions to 'non-musical' films.
Ian Conrich, Estella Tincknell, 2006
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The Sense of Music - Strona 88
In Schubert's Moment Musical, No. 2,' in A flat major, we observe an interesting development of three-part symmetry. Considering the major structural divisions we find an A section 17 measures long, followed by a B section of 18 measures ...
