«HYPERLYDIAN» தொடர்புடைய ஆங்கிலம் புத்தகங்கள்
பின்வரும் புத்தக விவரத்தொகுப்புத் தேர்ந்தெடுப்பில்
hyperlydian இன் பயன்பாட்டைக் கண்டறியுங்கள்.
hyperlydian தொடர்பான புத்தகங்கள் மற்றும் ஆங்கிலம் இலக்கியத்தில் அதன் பயன்பாட்டுச் சூழலை வழங்குவதற்கு அதிலிருந்து பெறப்பட்ட சுருக்கமான சாரங்களைத் தொடர்புபடுத்துகின்றன.
1
Ancient Greek Music: A New Technical History
There may however be evidence that the conception of the Hyperphrygian and
Hyperlydian keys antedated the later designation of the 'chromatic' tonoi.1^ If so,
the triadic system would have originated within the older system, to be expanded
...
2
Documents of Ancient Greek Music: The Extant Melodies and ...
... line 3 begins in Hypolydian, but after the short lacuna is back in Lydian; line 4
begins in Hyperlydian and modulates into Lydian, the sixth and seventh notes
being common to both scales; line 5 begins in Lydian and can be read as Lydian
as ...
Egert Pöhlmann, Martin Litchfield West,
2001
3
A General History of Music: From the Earliest Ages to the ...
Principal. Fourth above. . Hypodorian, DORlAN, Hyperdorian. Hypoiastian,
IASTIAN, Hyperiastian. Hyperphrygian, Hypophrygian, PHRYGXAN, { or
Hypomixolydian. Hypoaeolian, IEOLIAN, Hyperazolian. Hypolydian,. LYDlAN,
Hyperlydian.
4
A General History of the Science and Practice of Music in ...
the Hypomixolydian of Ptolemy into the Hypodorian; in the * same manner the
Hypodorian into the Hypozeolian; the Hyper' phrygian into the Hyperlydian; the
Hyperlydian into the Hypoio' nian or Mixolydian; and the Hyperzolian into the ...
5
Philosophical Transactions, Giving Some Accompt of the ...
The modes being thus augmented to fifteen, upon the single- principle of the
harmonic doctrine, their mefes will be found to stand all together in the following
order* Hyperlydian -• - - ----- in /*# Hyperœolian - - - - -- - - f Acute ( Hyperphrygian
, ...
John Martyn ((Londres)), James Allestry ((Londres)), Henry Oldenburg,
1761
6
The Critical Nexus: Tone-System, Mode, and Notation in Early ...
He concludes this list by naming the Hyperaeolian and the Hyperlydian added by
the “younger theorists” so that “each tonos might have a low, medial, and high
pitch.”88 Following this listing of the tones or tropes, Aristides describes their ...
Charles M. Atkinson,
2008
7
Reflections on Musical Meaning and Its Representations
First the hyperlydian kind; second the hypodorian; third, song; fourth, arsis; fifth,
thesis; sixth, sweet voices that are thin and intense, loud and high; seventh,
where there are clear voices which sustain fairlylong like the trumpet; eighth,
where ...
8
Isidore of Seville's Etymologies: Complete English Translation
There is diversity and quantity of harmony, consisting of accent and steady
course of the voice. Musicians have divided this into fifteen parts. The
hyperlydian is the most recent and highest; the hypodorian is the lowest.21 8
Cantus, song, is the ...
Saint Isidore (of Seville),
2005
9
Apollo's Lyre: Greek Music and Music Theory in Antiquity and ...
Moon Hypodorian Hermes Hypoiastian Aphrodite Hypophrygian Sun
Hypoaeolian Ares Hypolydian Zeus Dorian Kronos lastian Daytime actualities
Zodiac Phrygian Nighttime actualities Moon Hyperlydian Hermes Hyper aeolian
Aphrodite ...
Thomas J. Mathiesen,
1999
10
Philosophical transactions, giving some accompt of the ...
The modes being thus augmented to fifteen, upon, the single principle of the
harmonic doctrine, their mefes will be found to stand all together in the following
order* Hyperlydian - - - - - - m f#: Hyperæolian - - - - - - - f Acute < Hyperphrygian,
...
Royal Society (Great Britain),
1761