«नाभिमूल» தொடர்புடைய இந்தி புத்தகங்கள்
பின்வரும் புத்தக விவரத்தொகுப்புத் தேர்ந்தெடுப்பில்
नाभिमूल இன் பயன்பாட்டைக் கண்டறியுங்கள்.
नाभिमूल தொடர்பான புத்தகங்கள் மற்றும் இந்தி இலக்கியத்தில் அதன் பயன்பாட்டுச் சூழலை வழங்குவதற்கு அதிலிருந்து பெறப்பட்ட சுருக்கமான சாரங்களைத் தொடர்புபடுத்துகின்றன.
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By Means of Performance: Intercultural Studies of Theatre ... - Page 136
Centering in kalarippayattu is literally originating movement from the "center" located below the navel known as the nabhi mula ("root of the navel"). When impulses originate from the nabhi miila, one observes a very different quality of ...
Richard Schechner, Willa Appel, 1990
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The Senses in Performance - Page 20
Phillip Zarrilli has for many years researched both in a scholarly and in a practical way the relationship between what in the Keralan martial art kalarippayattu is called the nabhi mula (root of the navel) and performance art training, ...
Sally Banes, Andre Lepecki, 2012
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Greek Theatre Performance: An Introduction - Page 153
For eastern performers the focus of the body is not the head but the area at the root of the navel, the hara of Japanese theatre or nabhi mula of Indian theatre. 0l In classical Greece the psyche or breath of life was assumed to reside in the head, ...
नाम्रामारमिति-जाम्यन्तरं नाभिमूल. धुर्तयन्त्या प्रदर्शबंत्या हृदय. मनोंराश्सिंष्टथा प्रेमपूर्णद्वाध्या पुना उत्प्रेक्षमाणया पश्बंत्या है बालक है भी कि कि न भणिता कविता ...
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Kāmasūtram: Yaśodhara viracita "Jayamaṅgalā" ...
... वक्षस्थल और स्तन-हैये सर्वसाधारण के लिए बंतक्षत के स्थान हैं है इनके अतिरिक्त ऊरुसचि ( योनि ), बाहुसन्ति और नाभिमूल-ये लाट देश के निवासियों के चुम्बन के स्थान है सर्वसाधारण ...
Vātsyāyana, Yaśodhara, Rāmānanda Śarmā, 1997
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Kathakali Dance-Drama: Where Gods and Demons Come to Play
Most important is the activation of this region (nabhi mula) to which and from which the breath/life- force is understood to circulate via the subtle body's channels (nadi) along the line of the spine and out through the limbs, as well as into the ...
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Performance Theory - Page 350
(Zarrilli 1990: 136) Zarrilli emphasizes that the nabhi mula is important “psychophysically,” as the source of feeling-and-movement, a kind of “gripping” (piduttam) or firmness of body, spirit, and feelings that affect the whole human being.
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Acting: Psychophysical Phenomenon and Process - Page 93
For further information see Zarrilli (2000:19ff). This deep, inner, psychophysiological connection to the 'root of the navel' (nabhi mula) is a commonplace assumption in kalarippayattu practice. As Mohammedunni Gurukkal explained about the ...
Phillip B. Zarrilli, Jerri Daboo, Rebecca Loukes, 2013
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The Natyasastra and the Body in Performance: Essays on ...
Zarrilli emphasizes thatthe nabhi mula is important “psychophysically,” as the source of feelingand movement, a kind of “gripping” (piduttam) or firmness ofbody,spirit,and feelings that effects thewholehuman being. The Chinesenotion ofch'iand ...
जब वर्ण नाभिमूल से उठकर ध्वनि को उत्पन्न करता है, तब वह वृषभ की सी ध्वनि करने के कारण ऋषभ स्वर कहलाता है । । २ ।। नाभि से सरित वायु गभध और श्रीत्रों को चलाता हुआ शब्दसहित जब उप' होता ...
Madhusūdana Ojhā, Śivadatta Śarmā Caturvedī, Satyaprakāśa Dube, 1991
இல் உள்ள வார்த்தைகளில் மறைக்கப்பட்டிருக்கும் எல்லாவற்றையும் கண்டறியுங்கள் 
