«KECAK» தொடர்புடைய மலாய் புத்தகங்கள்
பின்வரும் புத்தக விவரத்தொகுப்புத் தேர்ந்தெடுப்பில்
kecak இன் பயன்பாட்டைக் கண்டறியுங்கள்.
kecak தொடர்பான புத்தகங்கள் மற்றும் மலாய் இலக்கியத்தில் அதன் பயன்பாட்டுச் சூழலை வழங்குவதற்கு அதிலிருந்து பெறப்பட்ட சுருக்கமான சாரங்களைத் தொடர்புபடுத்துகின்றன.
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Dance Ethnography and Global Perspectives: Identity, ...
Dance Ethnography and Global Perspectives presents the work of dance scholars whose professional fieldwork spans several continents and includes studies of the dance and movement systems of varied global communities.
Linda E. Dankworth, Ann R. David,
2014
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Multicultural Perspectives in Music Education - Jilid 3 - Halaman 90
LESSON 9: MONKEY BUSINESS—PERFORMING A SIMPLIFIED VERSION OF THE BALINESE KECAK DANCE-DRAMA National standards Singing, alone and with others, a varied repertoire of music Improvising melodies, variations, and ...
William M. Anderson, Patricia Shehan Campbell,
2011
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Crosscurrents in the Drama: East and West - Halaman 119
The difficulty we encounter tracing the origins of the kecak derives from the strong desire on the parts of Spies, Limbak, Mudiara, and whoever else was involved that we view the kecak as purely Balinese. The kecak and its subsequent ...
Stanley Vincent Longman,
1998
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Brown Boys and Rice Queens: Spellbinding Performance ...
pointed out that even though the performance genre of kecak would seem “prototypically Balinese” to most tourists, it is more accurately a “fusion” piece.133 She means to highlight Spies's involvement in the development of kecak as a ...
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Ethnomusicology: A Contemporary Reader - Halaman 58
As some of these performances, such as Kecak and Calonarang, discussed below, are given in neighbouring villages, free transport to and from them is provided by the Ubud Tourist Information Office. In addition to these performances, which ...
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Music of Death and New Creation: Experiences in the ...
The kilitan telu rhythms of beleganjur are fundamental in kecak as well, where they are executed vocally in a percussive style, usually on the syllable "cak" ("chak"). (In the kecak context, the kilitan telu are usually referred to as the cak telu.) ...
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Gamelan: The Traditional Sounds of Indonesia - Jilid 1 - Halaman 307
Nonesuch Explorer series (Elektra-Nonesuch) Bali: Music from the Morning of the World (79714, 1967, rereleased 2002) Bali: Golden Rain (79716, 1967, rereleased 2002) Bali: Gamelan and Kecak (79814, 1987, rereleased 2003) Bali: Music ...
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Who's who in Contemporary World Theatre - Halaman 196
Mas, Ida Bagus Nyoman (1951-) Performer and director, Indonesia. Mas trained at STSI (the Academy of Performing Arts), Denpasar. A performer in traditional Balinese dance/drama genres, in 1990 he founded a Kecak ensemble in his own ...
Daniel Meyer-Dinkgräfe,
2000
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Bali and Lombok - Halaman 518
Compilation of different styles played by Ubud musicians, including pieces for the genggong (Jew's harp) and the gong suling (gamelan orchestra with bamboo flute), and excerpts from the a capella kecak and the electrifying kebyar dudtik ...
Lesley Reader, Lucy Ridout,
2002
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Lonely Planet Bali & Lombok - Halaman 59
Kecak Probably the best-known dance for its spell-binding, hair-raising atmosphere, the Kecak features a 'choir' of men and boys who sit in concentric circles and slip into a trance as they chant and sing the 'chak-a-chak-a-chak', imitating a ...