FALSE RELATION SÖZCÜĞÜ İNGILIZCE DİLİNDE NE ANLAMA GELİR?
Yanlış ilişki
Yanlış bir ilişki (çapraz ilişki, harmonik olmayan ilişki olarak da bilinir) klasik polifonik müziğin bazen Rönesans'taki vokal müziğinde sık sık görülen türden bir uyumsuzluk türünün adıdır. Bu terim, i) 1600'dan önce yazılan müziğin eşzamanlı olarak (ya da yakınında), iki farklı seste ya da parçada sesli olarak bulunan iki not arasında bir "renk çelişkisi", bitişik akorların iki notası arasında bir triton oluşması anlamına gelir. Ör. 1, Ave Verum Corpus, William Byrd. Oynat (yardım · info) Yukarıdaki örnekte, aynı anda ses çıkaran iki bitişik seste (kırmızı renkte gösterilir) renk yanlış bir ilişki oluşur. Bas tonun altına G s seslendirilirken tenor sesi G # sesi söylenir ve böylece arttırılmış bir ses çatışması üretilir. Ör. 2, Geç Barok Stilde yanlış bir ilişkinin tipik örneği. Çal (yardım · info) Bu durumda, yanlış ilişki daha az telaffuz edilir: çelişkili E ♭ (soprano sesi) ve E ♮ (bas ses) (azaltılmış oktav) aynı anda ses çıkarmaz.
İngilizce sözlükte false relation sözcüğünün tanımı
Sözlükte yanlış ilişkinin tanımı, bir parçadaki bir notanın aynı anda ya da hemen hemen aynı ya da sonrasında sesli olarak değiştiği ya da başka bir bölümde görülen renk değişimi eşitliğinin ardından da ortaya çıkan harmonik çatışmasıdır: Çapraz ilişki.
«FALSE RELATION» İLE İLİŞKİLİ İNGILIZCE KİTAPLAR
false relation sözcüğünün kullanımını aşağıdaki kaynakça seçkisinde keşfedin.
false relation ile ilişkili kitaplar ve İngilizce edebiyattaki kullanımı ile ilgili bağlam sağlaması için küçük metinler.
1
Alfred Day's Treatise on Harmony
OF FALSE RELATION AS REGARDS FUNDAMENTAL HARMONY. Introduction.
FALSE relation is here, as in Chapter III., divided into false relation between two
notes sounded together, false relation between the first and third chords, and ...
Alfred Day, Sir George Alexander Macfarren,
1885
ON FALSE RELATION AS REGARDS FUNDAMENTAL HARMONY. Introduction.
False relation Is here for the first time divided into, false relation between the first
and third chords, and false relation between the first and second chords: in the ...
3
Alfred Day's Treatise on harmony
FALSE relation is here, as in Chapter 111., divided into false relation between _
two notes' sounded together, false relation between the first and third chords, and
false relation between the first and second chords: in the second will be seen ...
4
A treatise on counterpoint & fugue
other, lends itself by degrees to endure the effect of the false relation.
Nevertheless, in a study of modern strict counterpoint, this chromatic movement
should be as much as possible avoided. The Tritone is always, in melody, a false
relation, ...
Luigi Cherubini, Joseph Bennett,
1884
5
Harmony: Its Theory and Practice
The progression at (a) is called a False Relation. The note to be altered should
therefore be kept in the same voice, as at (b). If this be done, no false relation
occurs by another voice moving to the same note, as at (c). The false relation is
also ...
6
A treatise on harmony: with exercises
When this movement is not confined to one part, as in the following example at (6
), the fault known as false relation arises, the i?-flat in the treble of the second
chord being in false relation with the -B-natural in the alto of the first chord. To
avoid ...
Joseph Humfrey Anger, Henry Clough-Leighter,
1919
7
The Rudiments of Harmony: With Progressive Exercises and ...
False Relation. 20. False relation is when one part has a natural note, and
another part has a sharp or flat note of the same name; either when both notes
are sounded in the same chord — t£ i ii or when the two notes are sounded ^fc —
=1 ...
Sir George Alexander Macfarren,
1890
8
Practical harmony: a systematic course in fifty-four ...
FALSE RELATION. As modulation brings chords of distant keys into immediate
contact with one another, it must inevitably also produce severe harmonic
crudities. Yet, by a good progression of parts, these may in most cases be
averted ; in ...
Ludwig Bussler, N. Gans,
1896
9
A Course of Counterpoint and Fugue
By the assistance of these corrections, the false relation is in part or altogether
eclipsed. In the other species of counterpoints, as we shall see, it is still more
easy than in this to avoid the false relation of the tritonus. It now remains to ...
10
Mystical Love in the German Baroque: Theology, Poetry, Music
For instance, on false relation (parrhesia) he writes: Zum andern geschicht
solches auch in wenig Stimmen / wenn man einen trau- rigen Affectum oder
Gemüthes=Regung dadurch exprimiret und ausdrücket / dergestalt / daß das
Gehör nicht ...
«FALSE RELATION» TERİMİNİ İÇEREN HABERLER
Ulusal ve uluslararası basında konuşulanları ve
false relation teriminin aşağıdaki haberlerde hangi bağlamda kullanıldığını keşfedin.
Rachel Dolezal addresses her 'complex' white-African-American …
Ms Dolezal had claimed her father was Albert Wilkerson, a black man, but insists the false relation was not made in an effort to boost her civil ... «9news.com.au, Haz 15»
Orfeo by Richard Powers review – Mahler, Messiaen and DNA
A possible faint dissonance or false relation here lies in the fact that, though we are told several times that Els's motto is "Music doesn't mean ... «The Guardian, Nis 14»
On Not Going Home
That dissonance, with its distinctive Tudor sound, is partly produced by a movement known as 'false relation', in which the note you expect to ... «London Review of Books, Şub 14»
Qubool Hai- Asad-Zoya's false engagement reveals before Mr …
Mumbai: After all issues of fake engagement of Zoya-Asad in Qubool Hai Mr. Dhurendar comes to know about the false relation of them. «Parda Phash, Nis 13»
Medea, English National Opera
... an unexpectedly thickly-harmonised cadence in the strings, a tugging appoggiatura that clings just longer than expected, a false relation that ... «The Arts Desk, Şub 13»
Classical review: Otello - Race plays second fiddle to suspicion
Here it was simply perfect, every breath of every bow sounding pure and true, each glance of a false relation scissoring through the textures, ... «The Independent, Oca 13»