SERIMPI SÖZCÜĞÜ MALEZYA DILI DİLİNDE NE ANLAMA GELİR?
Malezya Dili sözlükte «serimpi» sözcüğünün
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Malezya Dili sözlükte serimpi sözcüğünün tanımı
serimpi Jw girl dancer: jestlerle de beni sandalyeye oturmaya çağırdı; dans ederek kızlar dans ederler. serimpi Jw gadis penari: dgn gerak tangan spt ~, dia mempersilakan aku duduk di atas kerusi; tari ~ tarian oleh gadis- gadis.
Malezya Dili sözlükte «serimpi» sözcüğünün
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Tanımın Türkçe diline
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«SERIMPI» İLE İLİŞKİLİ MALEZYA DILI KİTAPLAR
serimpi sözcüğünün kullanımını aşağıdaki kaynakça seçkisinde keşfedin.
serimpi ile ilişkili kitaplar ve Malezya Dili edebiyattaki kullanımı ile ilgili bağlam sağlaması için küçük metinler.
1
Sitting at the Feet of Gurus: The Life and Dance ... - Halaman 81
Years later, in Art in Indonesia, she would reflect on the essence of serimpi: A renowned dancing master once said that a good dancer, while executing the serimpi feels no joy or exuberance; that inside the dance is stillness but not a void, the ...
2
Srimpi kandha keraton Yogyakarta: sebuah misteri budaya ...
(Foto Moeljono) Berpijak dari pemahaman tentang berbagai pengertian "serimpi" tersebut di atas, dapat dikatakan bahwa antara serimpi dan bedaya tidak bisa dipisahkan, baik dalam pengertian secara umum maupun khusus sebagai ...
Robertus B. Soedarsono, 2006
3
Gamelan, Dance, and Wayang in Jogjakarta - Halaman 20
A MONG classical Javanese dances, the Serimpi dance is ^"perhaps . the . most . well - known. Accordingly it is understandable that foreign visitors and tourists sometimes get the wrong impression that every dance performed by a group of ...
Wasisto Surjodiningrat (Raden Mas), 1971
4
Karaton Surakarta: A Look Into the Court of Surakarta ... - Halaman 344
Above: Characteristic pose in Serimpi Gondokusumo, in the part of the dance where the dancers are slowly leaving the stage. Below: Classical version of one of the court's serimpi, Serimpi Sangupati, in which the 4 dancers circle around an ...
Paku Buwono XII (Sunan of Surakarta), 2006
5
Brosur Adat Istiadat dan Tjeritera Rakjat - Trbtan 2-5 - Halaman 93
Menurut hemat kami tari serimpi itu mempunjai dua ma- tjam tjorak, ialah tjorak Surakarta dan tjorak Jogjakarta. Mengapa hanja dua matjam tjorak itu sadja. Ini dapat diterangkan bahwa radja-radja Djawa jang memuliakan dan memelihara ...
Indonesia. Djawatan Kebudajaan. Urusan Adat-Istiadat dan Tjeritera Rakjat, 1960
6
Java Essay: The History and Culture of a Southern Country
Itis said that themostlofty and sacredofall courtdances are serimpi and budoyo danced byfemale dancers, exclusively maiden daughters of noble bloodlines, the performance of which wasonly limited at leastuntil recently without being ...
7
Dance Anecdotes: Stories from the Worlds of Ballet, ... - Halaman 94
In the description that follows, it is helpful to know that the Bedoyo and Serimpi court dances, which go back to the eighth century, are slow and lulling works exclusively for women, who, in both cases, are arranged into exquisite geometrical ...
Asap panjang-panjang mengelu dari ujung sigaret, langsing-lampai, melenggok-lenggok seperti serimpi pula. Kadang-kadang serimpi-serimpi halus kebiru- biruan itu ditiupnya alon-alon. Maka berpen aranlah mereka, bergelut-gelut di ...
Achdiat Karta Mihardja, 2010
9
Javanese culture - Halaman 297
Serimpi compositions consequently end in a fight-dance. In this case, the girls dramatize the role of the male heroes who appear in the story, although they retain their female uniform serimpi attire. Unlike the bedaya, which often utilizes ...
Koentjaraningrat, Southeast Asian Studies Program (Institute of Southeast Asian Studies), 1989
10
Perkembangan tari Sunda: melacak jejak Tb. Oemay ... - Halaman 41
Kesenian Sunda yang disajikan ialah wayang orang, tari Serimpi, Bedaya, ditutup dengan mamaos dan rampak sekar (Gambar 1 9). Sedangkan sore harinya di alun-alun diadakan pesta rakyat (Kunto, 1992). Pendopo Kabupaten Bandung ...
Irawati Durban Ardjo, 1998
