SĂBÁȘ SÖZCÜĞÜ ROMENCE DİLİNDE NE ANLAMA GELİR?
Romence sözlükte săbáș sözcüğünün tanımı
kılıç, kılıç ve kılıç, s.n. (kayıt) 1. Birinin sunumu nasıl yapılır. 2. davranış, davranış, davranış; Alışkanlık genellikle. 3. (sabaş şeklinde) köken. 4. (sg.) Halk oyunları dansının adı; Bu dansı izleyen şarkı.
«SĂBÁȘ» İLE İLİŞKİLİ ROMENCE KİTAPLAR
săbáș sözcüğünün kullanımını aşağıdaki kaynakça seçkisinde keşfedin.
săbáș ile ilişkili kitaplar ve Romence edebiyattaki kullanımı ile ilgili bağlam sağlaması için küçük metinler.
1
Can the Saints Come Out to Play?/Pueden Salir a Jugar Los ...
Sabás tenía 1 -LV motivos para querer escaparse. Cuando Sabás era pequeño, su madre y su padre lo dieron a un tío quien fue muy malo con él y que le gritaba mucho. Cuando Sabás tenía apenas ocho años se escapó y se fue a vivir con ...
Carolyn Ancell, Rosario Siboldi-Meehan,
2008
2
The Translations: Federico García Lorca, Nicolás Guillén, ... - Pagina 99
I looked at Sabás, meek and humble, begging his bread from door to door. Why've you always got your hand out, Sabás? (That Sabás is a good Negro.) Although they give you bread, bread's not much, and even less this beggar's bread from ...
Langston Hughes, Dellita Martin-Ogunsola, Federico García Lorca,
2003
Afternoons, I'd come from the garden to the kitchen and tell Sabás I was hungry. My grammy sat at the long table resting her heart and practicing Spanish with Sabás who turned a white tortilla, without burning her fingertips, while it singed ...
4
Alejandro García Caturla: A Cuban Composer in the ... - Pagina 202
(Este Sabás es un negro loco.) Although they give you bread, bread's not much and even less this beggar's bread from door to door Why've you always got your hand out, Sabás? (That Sabás is a stupid Negro.) Yo vi a Sabás, el negro hirsuto, ...
5
Painting Texas History to 1900
The complete texts of the shields are reproduced in Manuel Terreros, “La Misión Franciscana de San Sabás en la Provincia de Texas. Año de 1758,” Anales de Instituto de Investigaciones Estéticas 36 (1967): 56–57. Father Terreros's figure is ...
Sam DeShong Ratcliffe,
2014
6
The Cultures of the Hispanic Caribbean - Pagina 109
Yo vi a Sabás, el negro sin veneno, pedir su pan de puerta en puerta. Por qué, Sabás, la mano abierta? (Este Sabas es un negro bueno). [I saw Sabás, the innocuous negro, begging his bread from door to door. Why, Sabás, the outstretched ...
Conrad James, John Perivolaris,
2000
7
Self and society in the poetry of Nicolás Guillén - Pagina 35
... when these hands cease to perform their traditional function, the social standing of their owner is invariably that of the superfluous man. Thus, the open hands of Guillen's Sabás are an indication of his position on the fringes of his society: ...
8
Antología de la poesía negra americana - Pagina 153
Yo ví a Sabás, el negro sin veneno, pedir su pan de puerta en puerta. ... qué, Sabás, la mano abierta? (Este Sabás es un negro loco). Yo ví a Sabás, el negro hirsuto, pedir por Dios ANTOLOGIA DE LA POESIA NEGRA AMERICANA 153.
Ildefonso Pereda Valdés,
1970
9
An Anthology of Spanish American literature - Volumul 2 - Pagina 619
Por qué, Sabás, la mano abierta? (Este Sabás es un negro bruto.) Coge tu pan, pero no lo pidas; coge tu luz, coge tu esperanza cierta 15 como a un caballo por las bridas. Plántate en medio de la puerta, pero no con la mano abierta, ni con tu ...
John Eugene Englekirk, International Institute of Ibero-American Literature,
1968
10
In Search of the Fathers: The Poetic Disalienation in the ... - Pagina 77
*Saint Martin de Porres] If this selection is again reminiscent of Nicolas Guillen's "Sabás,"51 it is because its intentions are similar. Like the Afro- 51 The poem runs in part as follows: Yo vi a Sabás, el negro sin veneno, pedir su pan de puerta ...
Haakayo Nobui Zoggyie,
2003