与 «COUNTERSUBJECT»相关的英语书籍
在以下的参考文献中发现
countersubject的用法。与
countersubject相关的书籍以及同一来源的简短摘要提供其在 英语文献中的使用情境。
1
Fugal Composition: A Guide to the Study of Bach's '48'
In II.21 there is no countersubject in the exposition, but two countersubjects are
introduced at bar 33, and afterward they accompany every entry. I.19 has no
countersubject in the exposition but adds a countersubject of distinctive type after
the ...
Joseph Groocock, Yo Tomita, 2003
A countersubject is a counterpoint that accompanies the subject throughout the
fugue. It is the companion of the subject. This special relationship elevates the
countersubject to equal status with the subject itself. In fact, it can be considered
a ...
Kendall Durelle Briggs, 2012
3
The Masterwork in Music
At the third entry, bars 7-9, the fugal theme and the first countersubject are
inverted; this yields parallel upper sixths instead of the original lower parallel
thirds. The second countersubject appears in the inner voice; this voice thus
successively ...
4
Interpreting Musical Gestures, Topics, and Tropes: Mozart, ...
the new, more active countersubject. And this new countersubject is a diminished
variant of the twisting tail of the subject. Intriguingly, this is also the source of the
potential second countersubject from the opening exposition, material that had ...
5
Analyzing Fugue: A Schenkerian Approach
55, subject, countersubject 1, countersubject 2, reading down; m. 60,
countersubject 2, countersubject 1, subject; m. 67, subject, countersubject 2,
countersubject 1. In this instance, like the B minor organ fugue, it is the
restrictions of the formal ...
6
The Twelve-Note Music of Anton Webern: Old Forms in a New ...
countersubject comprise the first fugal exposition. An episode in the form of a four
-part rhythmic canon follows, in bars 26-37. The material of this episode is a
rhythmic variant of the countersubject - (and also, therefore, of the scherzo
subject ...
7
Crossing Confessional Boundaries : The Patronage of Italian ...
Albrici opens the sinfonia with motivic material that adumbrates the
countersubject of the fugue in the subsequent concerto, and he foreshadows his
contrapuntal approach to the vocal concerto with a brief instrumental fughetta in
which he ...
Mary E. Frandsen Associate Professor of Music University of Notre Dame, 2006
8
The Orchestral Music of Michael Tippett
The Fugue (Figure 46) further unites the ensembles into a tutti, while continuing
to explore the conceptual 'three-in-one' quality in a grand combination of a fugue
subject by Corelli with a countersubject from Bach's organ fugue (BWV 579), ...
Thomas Schuttenhelm, 2014
9
The Organ Music of J. S. Bach
Example 219 D F c A C D E 5 ' G F E A 1 subject and countersubject rectus 4
subject and countersubject inversus, with free middle part 8 episode from
countersubject (answered in bass 8-9) B 10 subject (alto), countersubject (bass
12), rectus; ...
10
Theoretical Analysis of Johann Sebastian Bach, BWV 226: "Der ...
suggested that the second part of this theme is the countersubject, 58 and the first
part, the subject, and they both enter at the same time.99 Melamed says,
however, that the second part of the theme is presented with the first due to the
fact that ...
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BEETHOVEN: Complete String Quartets, Vol. III = Quartet in C Minor …
Beethoven's penchant for breaking his theme and dotted-rhythm countersubject into small units anticipates techniques favored by the Second ... «Audiophile Audition, 六月 14»
Explaining the Genius of Daft Punk's “Get Lucky”—Using Music Theory
This is not an original device, but a classic one in the world of Western music theory, subject and countersubject. Two melodies that live ... «Slate Magazine, 三月 14»
December art gallery preview: Crystal Schenk at Bullseye, a ceramic …
... whose work was included in the recent group show "Subject, Answer, Countersubject" and will appear in next year's biennial survey Portland ... «OregonLive.com, 十一月 13»
Johann van Beethoven's last hurrah
Monsigny set this as a baroque-style fugue with a regular countersubject. Horrified by what he has done, Jean-Louis insists upon taking the ... «OUPblog, 十一月 13»
Summer Guthery, Disjecta's new curator-in-residence, focuses on …
An installation view of "Subject, Answer, Countersubject" at Disjecta, a group show of eight women contemporary artists curated by Summer ... «OregonLive.com, 十月 13»
Lili Kraus = MOZART: Piano Concerto Nos. 20 & 9; Clarinet Trio …
The tour de force has Kraus play a double fugue based on the horn call that now serves as its own countersubject. The repeated notes of the ... «Audiophile Audition, 七月 11»
Adorno's Bach-Schoenberg Connection: Frivolity and Expectation
The basic fugue as developed by Bach has essentially three elements: subject, countersubject, and episode. The subject—a motive of highly defined rhythmic ... «Student Pulse, 五月 11»
'Oreo': A Satire Of Racial Identity, Inside And Out
Simple, she conceded, compared with the overlapping fugal subject-answer-countersubject head equations that were her favorites — elegant, ... «NPR, 三月 11»
Most striking is the c. 1720 Concerto for 2 Cellos--the only one in …
While the opening movements offer a countersubject or at least a middle movement in a contrasting key, the RV 416 remains singularly ... «Audiophile Audition, 一月 07»
