与 «HYPODORIAN»相关的英语书籍
在以下的参考文献中发现
Hypodorian的用法。与
Hypodorian相关的书籍以及同一来源的简短摘要提供其在 英语文献中的使用情境。
A Peripatetic writer discusses the question why choruses in tragedy do not sing in
either Hypodorian or Hypophrygian. His answer is that these modes are more
suited to the heroic figures on the stage; Hypodorian is grand and steady (we ...
2
The Mathematical Theory of Tone Systems
RAT(HYPOD/HEX/NO.5)-7; 1+5 RAT, hexachromatic/hexenharmonic genus from
K.S.'s 'Bastard' Hypodorian; 48/47, 8/7, 4/3, 16/11, 96/65, 8/5, 2 RAT(HYPOD/
HEX/NO.6)-7; 2+3 Rationalized hexachromatic/hexenharmonic genus from K.S. '
s ...
3
Reading Renaissance Music Theory: Hearing with the Eyes
... 42 Mittit ad virginem Sahatoris mater pia In lectulo Ionian Hypoionian [Ninot
Petit in index] Ionian / Hypoionian Hypodorian Hypodorian Hypodorian Dorian
Phrygian Dorian / Hypodorian Hypodorian to Hypoaeolian Hypophrygian 8
Qosquin, ...
Cristle Collins Judd, 2006
4
A General History Of The Science and Practice Of Music: In ...
The Hypodorian*. The most grave of these was the Hypodorian ; the rest followed
in a succef* sion towards the acute, exceeding each other respectively by a herni
tone ; and between the two extreme modes was the interval of a diapason -j-.
5
Analyzing Bach Cantatas
Luther himself had remarked that the Hypodorian mode was analogous to the "
poor weak sinner" (peccator infirmus) because of its wavering between "fa" and "
mi" — that is, the B quadro/molle alternative.49 And if we take A as the correct
final ...
6
The Performance of 16th-Century Music: Learning from the ...
HYPODORIAN 1. Melodic Structure HYPODORIAN 1.1 Nicola Vicentino, L'antica
musica ridotta alla moderna prattica, Rome, 1555, fol. 45. HYPODORIAN 1.3
Michel de Menehou, Nouvelle instruction familiere, Paris, 1558, sig. Biiiv. . 2.
7
The Harmony of the World
The Hypodorian j^fe^^fjEJlUBS^flE Adam the first man. Noah the second. These
are the two kinds of soft melody, from the kind of octave which I have put as first
among the fourteen. I see no other difference but purely in the pitch, which in the
...
Johannes Kepler, E. J. Aiton, Alistair Matheson Duncan, 1997
8
A Performer's Guide to Medieval Music
But the total notated range of the eight modes is nearly two octaves: A-a for the
Hypodorian mode, and G-g for the Mixolydian.'1 It is inconceivable that some
chants with an octave range should be sung nearly an octave higher than others.
9
Composition, Chromaticism and the Developmental Process: A ...
The sonata was composed in the same year, 1655, and in the same church key (
transposed hypodorian, or second church key) as Marini's op. 22 no. 1 discussed
above. Almost identical to the opening progression in Marini's sonata, ...
Henry Burnett, Roy Nitzberg, 2007
10
The Emotional Power of Music: Multidisciplinary Perspectives ...
If we classify the aspects and their nomenclature according to Cleonides and the
ecclesiastic tradition (Table 8.2, left and right columns, respectively), we find that
only one aspect has the same name in each system, the Hypodorian-and that ...
Tom Cochrane, Bernardino Fantini, Klaus R. Scherer, 2013
