与 «마솔리노»相关的韩语书籍
在以下的参考文献中发现
마솔리노的用法。与
마솔리노相关的书籍以及同一来源的简短摘要提供其在 韩语文献中的使用情境。
마솔리노의 「타락」과 비교해보 느낌을 주지만, 머리 부분이 너무 작고 신체가 부 자연스러워 정지된 조각 같은 느낌을 준다. 또 마솔리노의 작품에서는 천사 대신에 사람 얼 굴을 한 뱀이 나무에 올라가 이들을 바라보고 있다. 마사초의 「아담과 하와의 ...
고딕 전통 은 마솔 리노 다 파니 칼레 ( Masolino da Pani- cale, 1383 - 14477 ) 의 원근법 에 대한 관심 과 실험 에도 불구 하고 , 그의 규약 적인 트립 티크 분할법 속의 이야기 장면 표현 과 선적 특질 가운데 남아 있었다 . 그는 마사치오 의 선생 으로서 ...
따라 베드로는 그리스도의 말씀과 행위를 반복하고 있는 것이다. 바로 그러한 이 유 때문에 그의 행위는 부활하신 분의 구원의 힘을 선언하고 있다. 알려진 것처 럼, 타비타의 부활 장면은 마솔리노 다 파니칼레Masolinoda Panicale가 그린 성 베드 로에 ...
4
What is Art History? - 37페이지
Chapter. two. Collaboration. between. two. artists. : Masaccio. and. Masolino. During the fifteenth and sixteenth centuries it was not uncommon for artists to collaborate on a painting or series of paintings. In such a case the art historian is faced ...
5
At the Dawn of a New Consciousness: Art, Philosophy and ...
Here we may compare his portrayal of the Expulsionfrom Paradise (Plate 29) with Masolino da Panicale's fresco of The Temptation of Adam and Eve (Plate 30), painted 1424±25, on the wall in the Brancacci Chapel opposite that of Masaccio's ...
Bernard Nesfield-Cookson, 2010
6
History of Art: The Western Tradition
Yet he shared the work on the Brancacci Chapel with a much older artist, Masolino (documented 1423-died 1440), who had been strongly influenced by Gentile. The two nevertheless worked well together and even collaborated on some of ...
Horst Woldemar Janson, Anthony F. Janson, 2003
7
Florence: A Portrait - 154페이지
Nor is there any longer justification, if there ever was, for allowing all the credit and glamour of the frescoes to be given to the young, advanced, short-lived Masaccio, while treating the much older Masolino (who lived on some fifteen more ...
The two artists divided up their work according to a pattern which is still very much discussed, with neither of them prevailing on the other; it is not ascertained whether Masolino was the only one who received the commission. Undoubtedly ...
EARLY THE NEXT morning I went to the Uffizi, still unable to dislodge the image of Masolino's little Madonna and Child from my mind, still believing I might find it hanging on the wall. I picked up a guide to the collection, but of course it was not ...
10
A Heritage Of Holy Wood: The Legend Of The True Cross In ...
chapel in Santo Stefano in 1397.48 The iconographic identification was made in a 1968 study.49 The frescoes were done away with in 1792 by the Augustinians, who apparently found them no longer to their taste.50 Masolino da Panicale ...
