与 «PROP»相关的马来语书籍
在以下的参考文献中发现
prop的用法。与
prop相关的书籍以及同一来源的简短摘要提供其在 马来语文献中的使用情境。
1
The Prop Builder's Molding & Casting Handbook
The Prop Builder's Molding & Casting Handbook This is the first book to contain, in one comprehensive volume, every molding and casting procedure of use to the theater props builder (no matter what his or her level or proficiency).
2
The Prop Building Guidebook: For Theatre, Film, and TV
Theatre and film frequently require replicas of three-dimensional objects built for actors to use. This book lays the groundwork for an artisan to determine what materials and techniques to use to build these props.
3
The Prop Trader's Chronicles: Short-Term Proprietary ...
"Little did I know that not a single educational product available at the time had prepared me for the world I was about to enter." —Francis James Chan from The Prop Trader's Chronicles Today's technology allows traders to make faster, ...
The water-jet is here to stay. David S. Yetman has been a prolific, award-winning boating writer for more than 15 years.
Dan Crowley has led a dangerous life.
6
The Properties Director's Handbook: Managing a Prop ...
A how-to guide leading the prop master through planning, pre-production, production, and post-production procedures, budgeting, collaborations with designers and other production areas, and planning a prop shop from the layout of the spaces ...
November 4, 2008 was a time when many GLBT in California lost their rights to marry. It was a time when Judge Vaughn Walker from San Francisco overturned Prop 8 in November 4, 2010.
The Clothes-prop Man celebrates the lives of the men and women at the work camps during the building of South Australia's South Para Reservoir between 1948 and 1958. Johnson's poems capture the colour and character of country-town living.
9
The Prop Builder's Mask-making Handbook
Guide to making masks for use in the theatre
10
Theatre Symposium, Vol. 18: The Prop's The Thing: Stage ...
Stage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the performance instead of a focal point for the audience.
