与 «ROMAIN DU ROI»相关的波兰语书籍
在以下的参考文献中发现
romain du roi的用法。与
romain du roi相关的书籍以及同一来源的简短摘要提供其在 波兰语文献中的使用情境。
1
Le romain du roi: la typographie au service de l'Etat, 1702-2002
La conception du Romain du Roi, point de rencontre entre les travaux de l'Académie et la glorification du règne de Louis XIV, son utilisation dans le somptueux ouvrage des Médailles, sa longue carrière ininterrompue comme " caractère d ...
2
An A-Z of Type Designers - Strona 93
(NM) Philippe G RAN DJEAN 1666-1714 F Types Romain du Roi 1702 The Romain du Roi was a significant development in the history of typography because it was the first real departure from the old-style faces in use in Europe at the time, ...
3
Lettering & Type: Creating Letters and Designing Typefaces - Strona 21
More than a decade later, the committee presented the resulting romain du roi (king's roman) against a finely engraved grid (to which the letters did not always conform). Robert Bringhurst designates the romain du roi as the first neoclassical ...
Bruce Willen, Nolen Strals, 2009
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Formes typographiques: historique, anatomie, classification - Strona 20
Romain du Roi. Planche représentant la construction des lettres a, b, et d. Cet empattement est fin, plat et bilatéral, c'est-à-dire réparti également de part et d'autre des traits principaux de la lettre; il est réuni à ceux-ci par une très faible courbe ...
5
Handbook of Research on Writing: History, Society, School, ...
Philippe Grandjean, who finally cut the punches for what would be the called the romain du roi, considerably refined Jangeon's design, but there remains in his font a distinct and profound change of emphasis from that of Garamond and the ...
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Fonts & Encodings - Strona 385
The dies of the Romain du Roi, or Grandjean, are preserved by the Imprimerie Nationale, which has exclusive rights to its use. Here is a specimen: This font can be recognized immediately from the small appendage to the downstroke of the 'l', ...
7
Views on Eighteenth Century Culture: Design, Books and Ideas
concentrate on what would eventually lead to the creation of the typefaces known as Romain du Roi, which would, by will of King Louis XIV, renew all the typefaces used by the French Royal Press at the time. In 1702, the book Médailles sur ...
Leonor Ferrão, Luís Manuel A. V. Bernardo, 2015
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Digital Fonts and Reading - Strona 154
the turn from the seventeenth to the eighteenth century and the making of the 'romain du roi' type. It was conceived at the drawing board, a feature which made James Mosley observe that it 'can be claimed to mark the beginning of the concept ...
Mary C Dyson, Ching Y Suen, 2016
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Encyclopedia of Library and Information Science: Volume 10 - Ghana: ...
This was to be the last and most majestic item in the Cabinet du Roi. The first size of the romain du rot was cut by Grandjean over the years 1694- 1699, during which time only the 1695 letter plates were printed. The publication of the full series ...
Allen Kent, Harold Lancour, Jay E. Daily, 1973
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Meggs' History of Graphic Design - Strona 128
Louis Simonneau, master alphabets for the Romain du Roi, c. 1700. These copperplate engravings were intended to establish graphic standards for the new alphabet. 43.6 x 28.9 cm 8–2. Louis Simonneau, construction of the letters G and H ...
Philip B. Meggs, Alston W. Purvis, 2016
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England's Greatest Type Designer Is Not Who You Think It Is
... 116, 142), a glorious but short-lived time of harmonious types that had the larger-on-the-body proportions of the Romain du roi with the modeling of Baskerville ... «Booktryst, 十一月 13»
Types With Plenty of Character
That is the weight of the steel punch that was used to produce a 120-point capital A in the typeface Romain du Roi. The roi in this case was the Sun King, Louis ... «New York Times, 十二月 11»
