与 «CAVATÍNĂ»相关的罗马尼亚语书籍
在以下的参考文献中发现
cavatínă的用法。与
cavatínă相关的书籍以及同一来源的简短摘要提供其在 罗马尼亚语文献中的使用情境。
1
Musical Meaning in Beethoven: Markedness, Correlation, and ...
The Cavatina from Op. 130 The previous chapters have outlined a multifaceted approach to musical meaning in Beethoven, ranging from basic stylistic types and thematic structures to topical fields, expressive genres, shifts in discourse level, ...
2
Cavatina (1951): Guitar Solo
Contents: Preludio bull; Sarabande bull; Barcarole bull; Scherzino
Alexandre Tansman, Andres Segovia, 1980
A sequence of shorter inner movements — two dance movements surrounding the exquisite Andante con moto — leads up to the Cavatina in penultimate position. Then, in direct juxtaposition to the heartfelt, lyrical, even operatic expression of ...
4
Beethoven Forum - Volumul 1 - Pagina 181
A set piece, a complaint sung by some fictional soliloquist, the Cavatina establishes a theatrical milieu that this G brazenly repudiates.20 Here we need to remind ourselves that in the music of Haydn, Mozart, and Beethoven the reciprocity of ...
Christopher Reynolds, Lewis Lockwood, James Webster, 1992
5
Cavatina & 20 Movie Themes for Solo Guitar
hur's Theme (Best That You Can Do) * As Time Goes By * Can You Read My Mind (Love Theme from Superman) * Cavatina * Days of Wine and Roses * The Entertainer * Evergreen (Love Theme from A Star Is Born) * Theme from Mahogany ...
6
Divas and Scholars: Performing Italian Opera
She wanted a scena and cavatina, and in the absence of one in the original version of Otello she had no compunctions whatsoever about adding a piece that Rossini had prepared for Malcom in La donna del lago: the recitative “Mura felici” ...
7
Catalog of Pre-1900 Vocal Manuscripts in the Music ... - Pagina 86
Inscription: Cavatina / ACM [in miniscule letters] / a Piena Orchestra / con Chittarra Francese Obbligata / Del Sig' Maestro Giovacchino Rossini. 379 (MS 358). Rossini, G. [attributed]. Cavatina "La mia pace, la mia calma" (Bb), from II barbiere di ...
John A. Emerson, University of California, Berkeley. Music Library, 1988
8
Arias for Nancy Storace: Mozart's first Susanna - Pagina x
describes it, a cavatina in this context is a relatively short aria, generally in a slow or moderate tempo, through which an important female character, usually noble, introduces herself.13 Vocally unimposing, the cavatina depends upon the ...
9
New Paths: Aspects of Music Theory and Aesthetics in the ... - Pagina 76
We have long honoured the Cavatina as perhaps the single most emotional movement in all of Beethoven. The biographical dimension seems to confirm this, for Beethoven himself apparently claimed (to Karl Holz) that he wept when he ...
John Neubauer, Darla Crispin, Kathleen Snyers, 2009
10
The Gypsy Caravan: From Real Roma to Imaginary Gypsies in ...
Ouranalysis focuses onthecenter of the opera, withthe most conspicuous number, the “Cavatina” (no.10in the piano/vocal score). “Cavatina”comes from the Latin “cavare,” whichmeans tohollow out, to engrave;a shortsong in simple style ...
