10 BÜCHER, DIE MIT «SEGAH» IM ZUSAMMENHANG STEHEN
Entdecke den Gebrauch von
segah in der folgenden bibliographischen Auswahl. Bücher, die mit
segah im Zusammenhang stehen und kurze Auszüge derselben, um seinen Gebrauch in der Literatur kontextbezogen darzustellen.
1
The Repertoire of Iraqi Maqam - Halaman 138
The Segah Family Sources present interesting variations and particular problems for defining the modal properties of the Segah famiiy. Segah rnaqarns have a prcdeliction for including the qit'as Mukhalef Kirkuk and Qaderbijan. Segah Segah ...
2
Music and Song in Persia (RLE Iran B): The Art of Avaz - Halaman 68
Khojaste/Majosli scale: G Ap Bb C D Ab Bb C27 Segah All the melodies of Chahargah can be played in Segah. Although Segah could be considered as having the semiflat 3rd as the beginning note of the modal scale, it is less confusing to ...
3
Song from the Land of Fire: Azerbaijanian Mugam in the ... - Halaman 38
His classification can be presented as following: Modes Compositions Rast Rast Shur Shur Chahargah Chahargah Segah Segah Shushtar Shushtar Humayun Humayun Bayati Shiraz Bayati Shiraz Mahur Hindi (mode Rast) Orta-Mahur ...
4
DEMETRIUS CANTEMIR - Halaman 236
from which it is fairly clear that, if ru-yi irak could not be deemed the main mode, the obvious candidate, despite the final cadence in rast, had to be segah. Despite the oscillating shape of 293 H4, the emphasis appears to be on the B</-> Ft ...
5
Beyond the Green Myth - Halaman 66
Kayan–Tabang–Segah–Kelai This area (see Map 3.3) includes the headwaters of the Kayan I'ut (or Kayan 'Ok), a major tributary of the main Kayan River (Bulungan Regency), of the Belayan (or Tabang) and Boh rivers, both major tributaries ...
Peter G. Sercombe, Bernard Sellato,
2008
6
School of Oud - Halaman 7
MAKAM RAST Scale diagram Yegah Huseyni Irak Rast Dugah Segah Chargah Neva Huseyni Evich Gerdaniye. Ashiran. Tiz Tiz Tiz Muhayyer Gerdaniye Ajem Huseyni Neva Chargah Segah Dugah Rast Neva Chargah Segah Rast is a very ...
7
Risāle-i Miʻmāriyye: - Halaman 27
The four derivative modes mentioned are Yegah, Dügah, Segah and Qargah. The lowest in initial tone is Yegah. The highest in initial tone is Qargah. Dügah and Segah are between these two. Dügah is close to Yegah. Segah is close to ...
Caʻfer Efendi, Howard Crane,
1987
8
The Mathematical Theory of Tone Systems - Halaman 107
... Diatonic, also the strong form of Avicenna's 8/7 diatonic; 19/18, 7/6, 4/3, 3/2, 19/12, 7/4, 2 SAFIYU(DIAT/N0.2)-7; Safi al-Din no.2 Diatonic, a 3/4 tone diatonic like Ptolemy's Equable Diatonic; 64/59, 32/27, 4/3, 3/2, 96/59, 16/9, 2 SEGAH ...
9
The Art of Avaz and Mohammad Reza Shajarian: ...
245 Segah ? 246 Afshari ? 247 Homayun ? 248 Chahargah Hafez 249 Shur ? 250 Esfahan Hafez 251 Abu Ata Hafez 255 Shur ? 258 Segah Sa'di 261 Afshari Sa'di 271 Abu Ata Sa'di 279 Bayate Tork Hushang Ebtehaj (Sayeh) 283 Segah ...
Rob Simms, Amir Koushkani,
2012
10
Kalipke/Kalipke:Sakai 010754 - Halaman 309
(haufig) anschnauzen; -» segah. sogak = segah = iibersattigt, uberladen (Ma- gen); sogak-mogak = sangat segah = vollig iibersattigt; menyogak = menyegah (arti: 1. menjadi segah; 2. berasa sangat kenyang walaupun tidak makan) = 1.
Hans Kalipke, Mohamad Agar Kalipke,
2001