Meaning of "硬绢" in the Chinese dictionary

PRONUNCIATION OF 硬绢 IN CHINESE

硬	绢
yìng	juàn

WHAT DOES 硬绢 MEAN IN CHINESE?

Definition of 硬绢 in the Chinese dictionary

Hard silk that aging silk.

TRANSLATION OF 硬绢

Find out the translation of 硬绢 to 25 languages with our Chinese multilingual translator.

The translations of 硬绢 from Chinese to other languages presented in this section have been obtained through automatic statistical translation; where the essential translation unit is the word «硬绢» in Chinese.

• Chinese: 硬绢
• Translator Chinese - Spanish: seda duro
• Translator Chinese - English: Hard silk
• Translator Chinese - Hindi: हार्ड रेशम
• Translator Chinese - Arabic: الحرير الصعب
• Translator Chinese - Russian: Жесткий шелк
• Translator Chinese - Portuguese: seda duro
• Translator Chinese - Bengali: হার্ড সিল্ক
• Translator Chinese - French: disque soie
• Translator Chinese - Malay: sutera keras
• Translator Chinese - German: Fest Seide
• Translator Chinese - Japanese: ハードシルク
• Translator Chinese - Korean: 하드 실크
• Translator Chinese - Javanese: sutra hard
• Translator Chinese - Vietnamese: lụa cứng
• Translator Chinese - Tamil: ஹார்ட் பட்டு
• Translator Chinese - Marathi: हार्ड रेशीम
• Translator Chinese - Turkish: Sert ipek
• Translator Chinese - Italian: seta duro
• Translator Chinese - Polish: Dysk jedwabiu
• Translator Chinese - Ukrainian: жорсткий шовк
• Translator Chinese - Romanian: greu de mătase
• Translator Chinese - Greek: σκληρό μετάξι
• Translator Chinese - Afrikaans: hard sy
• Translator Chinese - Swedish: hård silke
• Translator Chinese - Norwegian: Hard silke

10 CHINESE BOOKS RELATING TO «硬绢»

Discover the use of 硬绢 in the following bibliographical selection. Books relating to 硬绢 and brief extracts from same to provide context of its use in Chinese literature.

中国书画装裱技法 - 第 95 页

南唐画皆粗绢。徐熙绢或如布。装褙画不须用绢补破碎处,用之绢新时似好,展卷久为硬绢抵之,却于不破处破,大可惜。古人画惜其字,故行间勒作痕,其字在筒瓦中不破。今人得之,却以绢或绢褙帖所勒行,一时平直,良久于字上裂,大可惜也。纸上书画不可以绢 ...

冯鹏生, 2002

傳世藏書: 笠翁剧论, 乐府传声, 古画品录, 艺舟双楫, 书谱等52种

余托购乃自取之。古画至唐初皆生绢,至吴生、周昉、韩幹,后来皆以热汤半熟入粉捶如银板,故作人物精彩入笔。今人收唐画必以绢辨,见文粗便云不是唐,非也!张僧画、阎令画,世所存者皆生绢。南唐画皆粗绢,徐熙绢或如布。装背画,不须用绢补破处。用之,绢 ...

徐中玉, 1996

米芾集 - 第 159 页

今人收唐画,必以绢辨,见文粗便云不是唐,非也。张僧画、阎令画,世所存者,皆生绢,南唐画皆粗绢,徐熙绢或如布。装背画不须用绢补破处 10 ,用之,绢新时似好展卷,久为硬绢抵之,却于不破处破,大可惜。古书 10 人惜其字,故行间勒作痕,其字在筒瓦中,不破。

米芾, ‎正雨黄, ‎王心裁, 2002

中國畫論類編 - 第 2 卷 - 第 93 页

王晉卿舊亦以絹背書,初未信,久之,取桓溫書看墨色見磨在紙上,而絹文樓磨書畫面上成絹紋,蓋取爲骨,久之紙毛,是絹所磨也。用背紙書畫, ... 今人得之,却以絹或絹背帖装背畫不須用絹補破處, ,用之絹新時似好,展卷久爲硬絹抵之,却於不破處破,大皆生絹。

俞劍華, 1984

畫品叢書

古盞至唐初皆生絹,至吳生、周防、韓幹,後來皆以熱湯半熟,入粉槌如銀板,故作人物,精彩入筆。今人收唐盡必以絹辨,見文粗便云不是唐,非也。張僧畫、閻令畫,世所有者皆生絹。 ... 裝揹晝不須用絹,補破碎處用之。絹新時似好展卷,久為硬絹,抵之,瑯於不破處 ...

于安瀾, 1982

說郛 - 第 4 页

紙毛是絹所磨也用背紙書于字上裂^ ^可, , ^ | ^ #畫不可^ ^ ^ ,絹新終硬文^箇瓦中不破今人得之^以絹或絹背帖^行一時平直^ —之却于不破處破^惜古畫人惜其字故行間勒作痕其字 8 裝背畫不須用絹碗碎處用之絹—新時似好展卷久爲硬絹抵^狳熙絹或如 ...

陶宗儀, 1972

美術叢書 - 第 10 卷

... 而收之其後不用絹也絹素百片必好畫文製各有辨長幅橫卷裂文橫絹所磨也用背紙書畫日月損磨墨色在絹上王晉卿舊亦以絹 ... 是胡以絹或絹背帖所勒行一時平直良久於字上裂大可惜也紙上書畫不裝背晝不須用絹補破處用之絹新時似好展卷久為硬絹 ...

黄賓虹, 1947

中国档案修裱技术 - 第 41 页

米莆根据他多年的观察研究,认为这样做有害无益,他告诫人们: "不须用绢补破处"。如果用绢补破处。"绢新时似好展卷,久为硬绢,抵之却于不破处破"。他觉得因用料不当迫到损害,实在"太可借" , "不可用绢背"。用绢托心, "虽熟绢,新终硬。文缕磨书画面上成 ...

冯乐耘, 2000

中国档案裱糊 - 第 66 页

胜外用绫绢十倍。朴于外而坚于内"。再如,康熙朝满文黄册为宣纸书写,封皮为纸托黄绫。有的封皮受潮,受潮的封皮,黄绫与托纸完全分离。未受潮的封皮情况稍好,但黄绫与托纸也发生了不少的克处。黄绫的光泽已经消埤,成了土黄色。另外绫的老化情况也 ...

侯传学, 1992

全宋筆記 - 第 4 卷

今人收唐畫,必以絹辨,見文麄便云不是唐。非也,張僧畫、閻令畫,世所存者皆生絹,南唐畫皆麄絹,徐熙絹或如布。裝背畫不須用絹,補破處用之,絹新時似好,展卷久,爲硬絹抵之,却於不破處破,大可惜。古書人惜其字,故行間勒作痕,其字在筒瓦中不破,今人得之, ...

朱易安, ‎上海師範大學古籍整理研究所, 2006